Showcase Presents Rip Hunter, Time Master

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First Published: August 2012

Contents: Showcase #20 (May-June 1959), #21 (July-August 1959), #25 (March-April 1959), and #26 (May-June 1960); and Rip Hunter… Time Master #1 (March-April 1961) to #15 (July-August 1963)

Key Creator Credits: Jack Miller, Ruben Moreira, Mike Sekowsky, Ross Andru, Mike Esposito, Alex Toth, Joe Kubert, Nick Cardy, William Ely

Key First Appearances: Rip Hunter, Jeff Smith, Bonnie Baxter, Corky Baxter

Overview: “Have time sphere, will travel” appears to be the motto for one Rip Hunter. Surrounded by his partner Jeff Smith and their friends Bonnie Baxter and her younger brother Corky, Rip takes his time sphere primarily into the past, whether it’s a 1,000 years or a 1,000,000 years, to answer the unknown questions that puzzle modern researchers.

Each story follows a basic formula — Rip Hunter is given a reason to travel into the past to solve a mystery. Grabbing speech conversion discs that they wear to be able to communicate with anyone they encounter, Rip and his team travel in the time sphere to the time in question. Rip and one of the team – sometimes Jeff, sometimes Corky, occasionally Bonnie – set off to investigate while the other team members try to keep the time sphere hidden. In most cases, Rip and his partner gets into trouble, and have to call on their teammates to rescue them. Along the way, the solve the mystery and return back to the 1950s without ever altering the time line.

The best part of this title is the variety of artists that worked on this series. Whether it’s the likes of Mike Sekowsky; Ross Andru and Mike Esposito; Nick Cardy, Alex Toth, or Joe Kubert, there is so much talent in this book that really stands out in the black and white format.

Why should these stories be Showcased?: I like the concept of Rip Hunter and his time sphere. I’m hit and miss on the rest of the supporting cast. But I don’t think it works as a regular comic series. These stories quickly fell into a predictable formula, which probably worked well when you were reading the title every other month. I think Rip Hunter is a great character to bring into a story to provide another character with a way to time travel in their story or title. here are numerous reasons why I should not like this book. I am not a huge fan of Carmine Infantino’s art style. I find the formulaic stories from this era too predictable. This is more a science-fiction book than a super-hero book. With all of that said, I really loved this Showcase. Adam Strange felt alive and full of energy. Gardner Fox builds a new universe of characters, and creates an ongoing continuity with the storyline, with past stories and characters coming back in later stories.

Footnotes: Showcase #20 and #21 are also reprinted in Showcase Presents Showcase Vol. 1.

If you like this volume, try: the CW’s DC’s Legends of Tomorrow show. Now airing its second season, Legends of Tomorrow features Time Master Rip Hunter plucking a team of lesser heroes (and villains) to stop the likes of Vandal Savage and Damien Darhk from changing the timeline. The characters were all first introduced on the other CW shows, such as Arrow or The Flash, but probably can’t carry their own show. Arthur Darvill (Doctor Who, Broadchurch) stars as the Time Master captaining the time ship known as the Waverider. This is a fun series that I’ve been able to watch with my family.

Showcase Presents Eclipso Vol. 1

Showcase Presents Eclipso Vol. 1

First Published: August 2009

Contents: Eclipso stories from House of Secrets #61 (July-August 1963) to #80 (September-October 1966)

Key Creator Credits: Bob Haney, Lee Elias, Alex Toth, Jack Sparling, and others

Key First Appearances: Dr. Bruce Gordon/Eclipso, Professor Simon Bennett, Mona Bennett, 

Overview: Dr. Bruce Gordon is examining a black diamond when a solar eclipse occurs. The filtered light from the eclipse hits the black diamond, and Gordon is changed into Eclipso. Eclipso is a typical 1960s DC villain, who wants to take over the world without the overly malicious violence. Eclipso can fire energy rays from his eyes via the black diamond, and seems to always have henchmen available for this latest plot. After some period of time following the eclipse, Eclipso reverts back to Gordon, and he is left trying to clean up the mess that Eclipso made.

Trying to help Gordon is his girlfriend, Mona Bennett, and her father, Professor Simon Bennett. They are aware of Gordon’s condition, and do their best to help him control the transformations, trying to protect him from the all-too-numerous eclipses that occur in the DC universe.

Towards the end of the run of these stories, Gordon/Eclipso teamed up with Mark Merlin/Prince Ra-Man, the co-tenant of House of Secrets with Eclipso.

Why should these stories be Showcased?: While this volume gives us the usual assortment of quirky Bob Haney stories, plus art from Alex Toth, I don’t know that this is a necessary volume. When this run ended, it was eight years before Eclipso surfaced again. He was used sporadically for 15 years as the villain of the month, until he became a major threat in the early 1990s. What we think of the character today has very little to do with the stories collected in this Showcase. If DC had collected more of Eclipso’s appearances beyond the House of Secrets run, this might have been a more interesting collection.

Footnotes: House of Secrets came to an end with issue #80 in 1966. Three years later, DC brought back the title, but now used as a horror anthology, picking up the numbering with issue #81.

If you like this volume, try: digging in the back issue bins to find the DC Annuals from 1992 to read Eclipso: The Darkness Within storyline. This has never been reprinted in a collection, so you will need to search for the individual issues. The series featured a beginning and ending bookend books, and then travelled across various DC titles of the time. Eclipso: The Darkness Within #1 was unique, as the books shipped to comic book stores featured a plastic black diamond attached to the front cover. Of course, this led to damaged comics, the awkwardness of storing the comic, and the cheap glue that led to the diamond coming off of the cover. If you are looking to find the story, these are the annuals to track down: Action Comics Annual #4; Adventures of Superman Annual #4; Batman Annual #16; Deathstroke the Terminator Annual #1; The Demon Annual #1; Detective Comics Annual #5; The Flash Annual #5; Green Arrow Annual #5; Green Lantern Annual #1; Hawkworld Annual #3; Justice League America Annual #6; Justice League Europe Annual #3; L.E.G.I.O.N. Annual #3; The New Titans Annual #8; Robin Annual #1; Superman Annual #4; Superman: The Man of Steel Annual #1; Valor #1; and Wonder Woman Annual #3.

Showcase Presents The House of Secrets Vol. 1

Showcase Presents The House of Secrets Vol. 1

First Published: August 2008

Contents: The House of Secrets #81 (August-September 1969) to #98 (June-July 1972)

Key Creator Credits: Sergio Aragonés, Neal Adams, Bernie Wrightson, Alex Toth, Marv Wolfman, Len Wein, Gerry Conway, Dick Dillin, Michael William Kaluta, Gray Morrow, and others

Key First Appearances: Swamp Thing

Story Continues In: Showcase Presents The House of Secrets Vol. 2

Overview: Do you dare enter the House of Secrets? It’s a strange house, filled with locked rooms, dusty corridors, a musty basement, and a mysterious attic. It also inspires a lot of stories of ghosts, demons, and witches.

Not to sound like I am repeating myself here, but the origins of this title are the same as The House of Mystery. In 1968, industry veteran Joe Orlando was brought in from EC Comics to take over the editor duties of numerous books at DC, including the horror line. The content took a darker tone, as Orlando introduced the EC-story style which was pushing the boundaries of the Comics Code Authority. The House of Secrets was revived as a title to serve alongside The House of Mystery.

The comic is hosted by Abel, the caretaker of the house, who introduces a lot of the stories and talks to his imaginary friend Goldie. (Abel’s brother Cain was the host for The House of Mystery.) The stories range from 4-12 pages, so each issue has 4-5 features each month. There is no continuity between the stories, so these can be read in any order.

The highlight of this book is issue #92 (July 1971), in which the Swamp Thing makes his first appearance in comics. This Swamp Thing is Alex Olsen; the more recognizable Alec Holland Swamp Thing would debut in 1972  in Swamp Thing #1.

Why should these stories be Showcased?: For these anthology titles, it’s hard to strongly recommend or strongly downplay this collection. Given the wide variety of stories, there is probably something in this volume that a reader will really enjoy and something in this volume that will bore a reader. It’s worth a look given the incredible talents working on this book. I don’t know that this is a must-own volume, but I don’t think you will be disappointed if you do own it.

Cover Girl: The cover to The House of Secrets #92 is used for the cover of this Showcase Presents. The cover by Bernie Wrightson shows the Swamp Thing approaching a young woman. That young woman was modeled by Louise Jones, who would later become the popular Marvel writer and editor Louise Simonson.

Footnotes: The House of Secrets was not always a home just for horror tales. In the issues prior to those collected in this Showcase Presents edition, The House of Secrets was an anthology title, including a long run of Eclipso stories from issue #61 to #80 (reprinted in Showcase Presents Eclipso Vol. 1). The House of Secrets was canceled with issue #80 in 1966 but was revived three years later, keeping the same issue numbering, as a horror title.

“The Day After Doomsday…” stories from The House of Secrets #86, #95, and #97 were also reprinted in Showcase Presents The Great Disaster Vol. 1.

If you like this volume, try: researching the career of artist Alex Toth, who has some stories collected in this Showcase Presents. Toth is a legendary artist from the Golden and Silver Age of comics but is perhaps more recognized for his work done with tv animation. Toth was involved in the creation of Space Ghost, the Herculoids, Birdman, and even Super Friends. His comic career spanned multiple decades, which included stops at DC, Marvel, Dell, Gold Key, Standard, and Warren Publishing. While Toth did do some superhero stories, the bulk of his comic book resume was spent working on horror, romance, war and other genres which interested him. Although Toth passed away in 2006, his art still lives on. IDW has been publishing a series of books (Genius, Isolated in 2011; Genius, Illustrated in 2013; and Genius, Animated in 2014) showcasing the legacy of Alex Toth. 

Showcase Presents The House of Mystery Vol. 1

Showcase Presents The House of Mystery Vol. 1

First Published: February 2006

Contents: The House of Mystery #174 (May-June 1968) to #194 (September 1971)

Key Creator Credits: Joe Orlando, Sergio Aragonés, Neal Adams, Nick Cardy, Wally Wood, Bernie Wrightson, Alex Toth, Robert Kanigher, and others

Key First Appearances: Cain

Story Continues In: Showcase Presents The House of Mystery Vol. 2

Overview: Do you dare enter the House of Mystery? Take a journey into the supernatural, with stories of ghosts, demons, witches, and black magic.

For issue #174, the book went back to its true horror format (see Footnotes below). Industry veteran Joe Orlando was brought in from EC Comics to take over the editorial reigns of the book. The stories in this issue were all reprints, but new material was the focus in the following issues. The content took a darker tone, as Orlando introduced the EC-story style which was pushing the boundaries of the Comics Code Authority.

Beginning with issue #175, the comic is hosted by Cain, the caretaker of the house who introduces a lot of the stories. (Cain’s brother Abel was the host for The House of Secrets.) The stories range from 4-12 pages, so each issue has 4-5 features each month. The joke gets lost in a 500+-page trade collection, but each issue featured a comedy page by Sergio Aragonés on the dreaded Page 13.

There is no continuity between the stories, so these can be read in any order.

Why should these stories be Showcased?: This is an interesting read, one which impressed me more than I expected. While some of the stories are predictable, many more featured creative plots that kept me turning the pages. The art in his volume is spectacular, and the black & white format enhances these stories. Given the artistic talents in this volume, such as Neal Adams, Bernie Wrightson, and Sergio Aragonés, this is worthy of being showcased.

Footnotes: The House of Mystery was not always a home just for horror tales. In the issues prior to those collected in this Showcase Presents edition, The House of Mystery was a super-hero title, featuring the Martian Manhunter from issue #143 to #173 (reprinted in Showcase Presents Martian Manhunter Vol. 2), and Dial H for HERO from issue #156 to #173 (reprinted in Showcase Presents Dial H for HERO Vol. 1).

If you like this volume, try: the Solo 12-issue series from DC Comics from 2004. This was recently collected as a hardcover edition in 2013. Each issue spotlighted the art from a different artist, who was given the freedom to do whatever they wanted to do for an issue. With art from creators such as Tim Sale, Darwyn Cooke, and Paul Pope, this is a diverse title that gives you a sample of all aspects and eras of the DC Universe. My personal favorite came with issue #11, which featured art by Sergio Aragonés, whose first non-MAD Magazine art is collected in this Showcase Presents, Each issue was ad-free, so it was a full 32 pages of original work. This is a great volume to pick up and take to conventions to collect autographs from the artists.