Showcase Presents The Doom Patrol Vol. 2

doompatrol2First Published: August 2010

Contents: The Doom Patrol #102 (March 1966) to #121 (October 19686)

Key Creator Credits: Arnold Drake, Bruno Premiani, Bob Brown, and others

Story Continues From: Showcase Presents Doom Patrol Vol. 1

Overview: They’re back! The quirkiest, kookiest, uncanniest heroes in all of DC Comics – the Doom Patrol! Led by the Chief, the various members of the Doom Patrol (Robotman, Elasti-Girl, Negative Man, Mento, and Beast Boy) find ways to save the world without killing each other in the process.

As a friendly reminder, the Doom Patrol is comprised of people that society deems as freaks or outcasts. Robotman has a human brain inside a robot shell. Elasti-Girl is a beautiful actress who can shape her body into any form. Negative Man keeps his body wrapped up in bandages to help hide the negative form inside his body. The world says that these people should serve no purpose anymore. But the Chief knows he can mold these outcasts into heroes.

But despite all the standard super-hero fighting, life still goes on for these characters. Elasti-Girl and Mento fall in love and get married. (Naturally, their ceremony is disrupted by the Brotherhood of Evil.) The new copule even go so far as to adopt Beast Boy into their family.

But just when you think things are finally clicking for these offbeat characters, the end came for the Doom Patrol, figuratively and literally. In issue #121, the series came to an abrupt end. The team faced off against General Zahl, who put them in a bind by having to decide between their lives and the lives of an innocent town. The Doom Patrol agreed to save the town, and the core members (Chief, Robotman, Elasti-Girl, and Negative Man) appeared to be destroyed in an explosion. The final panels end with series creators Arnold Drake and Bruno Premiani putting a challenge out to the readers to determine if the Doom Patrol should ever return.

Why should these stories be Showcased?: I still want to recommend this book to anyone interested in the concept or the characters. But I don’t think I liked this one nearly as much as Volume 1. The initial issues in this collection mirror the comics in the last collection. But about halfway through the book, the title takes an odd turn. It feels like the villains become cast members of the title, appearing on a monthly basis. Part of the charm of the a good comic, for me at least, is rotating the foes around each issue. If the foes are in every issue, than it just feels like a bad TV sitcom. Give this book a look, but don’t be surprised if you go back to Volume 1 more often.

Footnotes: In 1973, DC re-started The Doom Patrol for three issues – sort of. Continuing the numbering from where it left off in 1968, DC published issues #122 to #124, but all three comics were reprints of early Doom Patrol stories that can be found in Showcase Presents Doom Patrol Vol. 1. Maybe DC was trying to test the waters to see if there was still interest in the concept? Needless to say, it did not appear to gain a foothold in 1973 beyond these three issues.

CIA (Comic In Animation): Over 40 years after the initial release of the issue, Doom Patrol #121 was adapted in the Batman: The Brave and the Bold animated series. In an episode from season 2 titled “The Last Patrol!”, the Doom Patrol must come out of retirement to stop all of their former foes. Despite having the Caped Crusader helping them out, the Doom Patrol still finds themselves faced with the choice to sacrifice their lives so that others may live.

If you like this volume, try: The Doom Patrol relaunch from 1987 by Paul Kupperberg, Steve Lightle, and Eric Larsen. In the DC Universe following the events of Crisis on Infinite Earths, a new Doom Patrol rises up. It’s a mixed team, with members from the classic 1960s line-up shown in this Showcase Presents, plus members from the mid-1970s reboot done by Kupperberg and Joe Staton in Showcase #94-96. This is an interesting take on the characters, and for many readers (including yours truly) this was their first exposure to the Doom Patrol concept. The original issues had the team headquarters based in Union Station in Kansas City, which made me quite happy. (It was only after the fact that I learned that the artist Steve Lightle also lived here!) This version of the team ran for 18 issues, plus an annual and a special that crossed over with the Suicide Squad, but it often gets overlooked as it was immediately followed by the start of Grant Morrison’s legendary take on the concept. Outside of the Suicide Squad special, these issues have not been reprinted, so you will need to dive into some back-issue bins to track these down.

Showcase Presents The Doom Patrol Vol. 1

Showcase Presents The Doom Patrol Vol. 1

First Published: April 2009

Contents: My Greatest Adventure #80 (June 1963) to #85 (February 1964); and The Doom Patrol #86 (March 1964) to #101 (February 1966)

Key Creator Credits: Arnold Drake, Bruno Premiani, Bob Brown, and others

Key First Appearances: Niles Caulder/The Chief, Cliff Steele/Robotman, Rita Farr/Elasti-Girl, Larry Trainor/Negative Man, General Immortus, the Brotherhood of Evil (the Brain, Madame Rouge, Monsieur Mallah), Animal-Vegetable-Mineral Man, Steve Dayton/Mento, Garguax, Garfield Logan/Beast Boy, Jillian Jackson,

Story Continues In: Showcase Presents Doom Patrol Vol. 2

Overview: Let’s take three outcasts, who find themselves with special abilities as the result of accidents. None can fit into society, and have no where else to go. Let’s organized them behind the leadership of a wheelchair-bound genius. Is this the X-Men? No, this is the Doom Patrol!

Let’s start with our heroes:

  • First there is Robotman. Cliff Steele was race car driver who was involved in a deadly crash. With his body shutting down, a skilled doctor (Niles Caulder) removes Cliff’s brain and places it inside a steel body. Robotman has been the anchor point for every incarnation of the Doom Patrol.
  • Next up is Elasti-Girl. Rita Farr was an Olympic athlete and a Hollywood movie star. While on location in Africa, Rita is exposed to some mysterious gases, which gives her the ability to grow or shrink her body, but it’s an ability she cannot control. Giving up her career, she goes into hiding until she is recruited by Niles Caulder to join his team.
  • Let’s look at Negative Man now. Larry Trainor flew through a radioactive field while test piloting a jet. Filled with a mysterious energy, Larry can send a black negative form out of his body, which can fly and move objects at will. That negative form can only be outside of Larry’s body for 60 seconds, or he risks dying. Because of the radioactivity, Larry must wrap his body up in protective gauze, so he does not expose those around him to the radiation. He too is recruited by Niles Caulder.
  • Finally, the Chief. This is the Niles Caulder that has appeared in everyone’s story. A genius confined to a wheelchair, Caulder directs his team to help humanity any way they can, even though humanity wants very little to do with them.

Initially, the Doom Patrol fought many of the same foes over and over, month to month. We get a lot of appearances by General Immortus, a man whose seen way too many birthdays in his long life. The team also matches up with Animal-Vegetable-Mineral Man, whose body can morph into any item that can be classified as one of those three objects.

As the book progresses, new heroes join the team, such as Mento (secretly Steve Dayton, the sixth richest man in the world) and Beast Boy, a green-skinned teenage boy who can transform himself into any kind of animal. But as the team grows, so does the threat level, with more powerful foes like the Brotherhood of Evil,.

Why should these stories be Showcased?: I was really surprised about how much I ended up enjoying this volume. The plots of the stories can be somewhat kooky, but the interactions between the characters really feels like a 1960s Marvel Comic. Despite an explosive finish to their title, which we will discuss in more detail with Showcase Presents The Doom Patrol Vol. 2, these characters have stuck around in various incarnations for 50 years. When Arnold and Bob developed Beast Boy, I really think that was done to add some youth to the title. I don’t think anyone could have ever imagined he would become such a critical character for DC in the Teen Titans. Anyway, I would say track down a copy of this book, especially if you are a fan of the Silver Age Marvel Comics.

Footnotes: So you have a group of heroes with odd powers, led by a man confined to a wheelchair. Sure sounds like the X-Men, right? For many years, numerous commentaries have noted the similarities between the two teams. The Doom Patrol first appeared in My Greatest Adventure #80 (June 1963). The X-Men debuted in the first issue of their book three months later. There is no hard evidence to show that Marvel was trying to swipe away the concept from DC. And three months would barely be enough time to get start a “stolen” concept from script to publication in 1963, especially given Marvel’s limited distribution options. I think it’s safe to say that creators in the comic book industry like to get together and talk shop, and that some common ideas are shared over a public discussion, then fully developed on their own in the respective company offices. (Something similar to this happened in the early 1970s, as Man-Thing and Swamp Thing were introduced around the same time from the two companies.)

MIA (Missing Issue Alert): In the final issue in this collection, Doom Patrol #101, the Challengers of the Unknown appear in the last panel. This was to set up a crossover with Challengers of the Unknown #48, the first of a two-part story which would be finished in Doom Patrol #102. However, the Challengers issue was not included, either in this volume or in Showcase Presents The Doom Patrol Vol. 2. And the Showcase Presents Challengers of the Unknown line has yet to reach issue #48. So you may need to hit the back-issue bins to find this comic to complete the story.

If you like this volume, try: The Doom Patrol Omnibus by Grant Morrison and Richard Case. In the mid-1980s, following the events of Crisis on Infinite Earths, DC relaunched The Doom Patrol, returning the team to it’s traditional roots and characters. However, after 18 issues, DC opted for a change, and gave the book over to a very young Grant Morrison, a Scottish comic book writer best known for his work on Judge Dredd. His work had finally caught the attention of DC, and they had already started him on Animal Man. Beginning with issue #19, Morrison took over Doom Patrol and flipped it on it’s head. Ditching most everything but Robotman, Doom Patrol went on an eccletic ride for four years under Morrison’s direction, making the strange the norm. By the end of Morrison’s run, DC had moved The Doom Patrol under the Vertigo banner. Morrison’s run has been reprinted multiple times in trades, and most recently as an omnibus.

Essential Classic X-Men Vol. 3

Essential Classic X-Men Vol. 3

First Published: February 2009

Contents: The X-Men #54 (March 1969) to #66 (March 1970); Amazing Spider-Man #92 (January 1971); Incredible Hulk #150 (April 1972) and #161 (March 1973); the Beast stories from Amazing Adventures #11 (March 1972) to #17 (March 1973); and Marvel Team-Up #4 (September 1972)

Key Creator Credits: Roy Thomas, Werner Roth, Arnold Drake, Don Heck, Neal Adams, Tom Palmer, Steve Englehart, Tom Sutton, Herb Trimpe, and others

Key First Appearances: Living Monolith, Lawrence Trask, Karl Lykos/Sauron, Savage Land Mutates (Amphibius, Barbarus, Brainchild, Equilibrius, Gaza, Lorelei, Lupo, Piper), Shiro Y0shida/Sunfire

Story Continues From: Essential Classic X-Men Vol. 2

Story Continues In: Essential X-Men Vol. 1

Overview: Here we go, readers! It’s the final adventures of the original X-Men as members of Xavier’s School for Gifted Youngsters. Cyclops, Marvel Girl, Angel, Beast, Iceman, Havok, and now Polaris go on a non-stop run of adventures that take them from the sands of Egypt to the jungles of the Savage Land to the bright lights of the Las Vegas strip.

The highlight of this collection is the Roy Thomas and Neal Adams all-to-brief run on the title. Adams had been doing work for DC for about two years when he came over to do some work at Marvel. (At that time, creators generally worked for just one company at a time. If someone did work for more than one publisher, one of their jobs would be done under a pseudonym.) At the time that he came onboard with X-Men #56, the book was floundering in the sales column. Adams came in and helped plot a wild adventure ride, introducing new threats to the mutants.

While this is the most creative peak in the title’s seven-year run, it could not stop the cancellation ax. The final issue with original content was X-Men #66. Beginning with issue #67, the title ran reprints of old X-Men stories. Let this sink in for a minute. There was a time when X-Men was strictly a reprint book. It was more profitable for Marvel to re-run old stories versus commissioning new stories. Unbelievable!

Now, the title may have been in reprint mode, but the characters still existed and became free game to use in other books. So Iceman makes an appearance in Amazing Spider-Man, and Havok & Polaris show up in the pages of the Incredible Hulk.

The volume concludes with the solo adventures of Hank McCoy, who finally graduated Xavier’s school and landed a job in a Brand Corporation research lab. McCoy works on isolating the chemical cause of mutation into a liquid solution. Trying to keep his work from falling into the hands of corporate spies, McCoy swallows the formula, and his body is mutated into a furry gray Beast. (In later issues, the fur would change permanently to blue, but that’s not important for this black & white collection.) The Beast finds that he is trapped in this further-mutated body. Despite attempts to hide his mutation, Hank finally embraces his blue-furred identity. These stories are written by Steve Englehart, and he would continue the Beast’s story in the pages of The Avengers.

What makes this Essential?: In my humble opinion, this really is an essential volume to own. First, the Thomas-Adams run on this title is the first “great” story-arc in the history of the X-Men. The Sentinels are more menacing, the Savage Land is more savage, and the introduction of Sunfire opens the door for the international approach to the X-Men in the mid-1970s. In addition, by collecting the X-Men adventures in the other Marvel titles of the 1970s, it highlights how a proper Essential should be put together. The books should be reprinting the character stories, and not necessarily just within a specific title. The solo adventures of the Beast would never have been reprinted in any other Essential volume, so including them here was perfect. While some of the characters’ appearances can be found in other Essentials (see Footnotes), having these stories in one book reads so much better for the X-Men fan.

Footnotes: Amazing Spider-Man #92 is also reprinted in Essential Spider-Man Vol. 5.

Incredible Hulk #150 and #161 are also reprinted in Essential Hulk Vol. 4.

Marvel Team-Up #4 is also reprinted in Essential Marvel Team-Up Vol. 1.

Amazing Adventures #17 reprinted the origin of the Beast, originally told in backup stories from X-Men #49 to #53 (see Essential Classic X-Men Vol. 2). The cover to issue #17 and new framing pages are included in this Essential.

X-Men #67 to #93 and X-Men Annual #1 & #2 reprinted classic X-Men stories from the 1960s. New covers were created for those issues, and the covers are included in this Essential.

If you like this volume, try: the X-Men: Hidden Years series by John Byrne from 1999 to 2001. This series was designed to pick up the story of the original team following X-Men #66, the last original issue of the series. Byrne begins his story with what should be issue #67, but numbered as #1, and continues the adventures. Over the next two years, Byrne told new stories set in the Marvel Universe of the early 1970s, so the mutants encounter a Fantastic Four with Crystal subbing for Invisible Girl. We meet a young Ororo before she has her official first appearance as Storm in Giant-Size X-Men #1. The problem with this book is that it was written and drawn by John Byrne. Not that he necessarily did a bad job with either, but more that Byrne became a very polarizing figure in comics by the early 2000s. A new leadership team took over the reigns as Marvel’s Editor-in-Chief and opted to cancel the book as the X-Men universe was too convoluted and needed to be streamlined. (Note that streamlining of the X-Men books lasted for about one month.) You can read into that the cancellation was due more to personality conflicts between Byrne and management, and not due to poor sales, poor stories, or a convoluted X-Men universe. This entire series was collected in two trade paperbacks in 2012, so it should be relatively easy to track down. If you are a Byrne fan, by all means check this series out.

Essential Captain Marvel Vol. 1

Essential Captain Marvel Vol. 1

First Published: May 2008

Contents: Marvel Super-Heroes #12 (December 1967) and #13 (March 1968); Captain Marvel #1 (May 1968) to #21 (August 1970); and the Captain Marvin story from Not Brand Echh #9 (March 1981)

Key Creator Credits: Stan Lee, Gene Colan, Roy Thomas, Arnold Drake, Don Heck, Gil Kane, Gary Friedrich, Dick Ayers, and others

Key First Appearances: Mar-Vell/Captain Marvel, Una, Yon-Rogg, Carol Danvers, Mordecai Boggs

Story Continues In: Essential Captain Marvel Vol. 2

Overview: Unbeknownst to most of the people of Earth, alien races have been keeping an eye on our home planet. One of those races, the Kree, has parked a spaceship in orbit to do a further observation of the Earthlings. Captain Mar-Vell is sent to the surface for further investigation, finding himself near a military base in Florida. Mar-Vell’s commander, Col. Yon-Rogg, despises his assignment and wants nothing more than to blast our planet to bits and return to the Kree home world. Finding himself at odds with his commander, Mar-Vell breaks ranks with the Kree and vows to protect the Earth as Captain Marvel!

Captain Marvel finds that the Kree are not happy with his decision, as he is forced to face off against Yon-Rogg and Ronan the Accuser. And given that the Kree are the mortal enemies of the Skrulls, of course, the Super-Skrull has to cross paths with Captain Marvel.

In issue #17, Roy Thomas returned to script the book and brought along with Gil Kane for the art chores. Captain Marvel was given his more familiar red and blue costume, and the story starting progressing in new directions. Rick Jones, the official sidekick of the Marvel Universe, joins up with Captain Marvel, and the two find themselves bonded via the Nega-Bands. Because of that, when one is on Earth, the other is transported to the Negative Zone. (And if you know your Marvel history, if Rick Jones is around than the Hulk will soon follow!)

One of the supporting characters created for this series was Carol Danvers, a security officer at the military base during the origin issues of our hero. However, in issue #18 (November 1969), Carol is caught up in an explosion with Captain Marvel. After she has fully recovered, she later finds out that her DNA has been fused with Kree DNA, and it has given her many of the same powers as Captain Marvel. Carol’s story will continue in the pages of her own comic, which have been reviewed in Essential Ms. Marvel Vol. 1.

What makes this Essential?: OK, full disclosure and SPOILER warning time. I never really got into the Captain Marvel character. Want to know why? Because the first time I ever saw the character was in Marvel Graphic Novel #1: The Death of Captain Marvel. He was killed off the first time I read him! And it was a shocking move by Marvel, having a heroic character die not in battle but in a bed from cancer. So given the dramatic finale to his career, I had not desire to go back and read his adventures. In all fairness, the early 1980s still was part of the era where characters that were deceased stayed deceased. Of course, Marvel would reuse the name Captain Marvel (to protect the trademark) with later characters. But in today’s era, sometimes the best characters to use are the dead ones, and a good writer finds a way to resurrect the dead.

So I read this volume only knowing the character’s end. This is a mixed introduction to Captain Marvel. I fully believe this is a book that got much better as the story progressed, so I am looking forward to reading Essential Captain Marvel Vol. 2 sometime soon. (You can read into that if the book got better as the story progressed, then the early issues must have been a rough ride to get through.) The Gil Kane issues in the end of the book were my favorites, as the artist finds a way to make Captain Marvel feel more alive. (I’m still a big fan of Gene Colan, but these issues just didn’t do it for me. Thankfully I have plenty of Colan Daredevil and Dracula issues to enjoy!) Bottom line – I think this is worth reading, but I don’t know that this is worth owning.

Footnotes: Captain Marvel #20 and #21 are also reprinted in Essential Hulk Vol. 3.

Read my review of Showcase Presents SHAZAM! Vol. 1 to learn about the name battle between Captain Marvel and Captain Marvel.

If you like this volume, try: the Captain Marvel series from 2000 by Peter David and ChrisCross. This is a new Captain Marvel, Genis-Vell, who is the gentically-engineered son of the late Mar-Vell. Introduced in a 1996 Captain Marvel mini-series, the character went by the code name of Legacy. He rose in popularity when he was included in Avengers Forever maxi-series, as a future Avenger plucked from time to fight in the Destiny War. At the climax of that story, Captain Marvel finds that he must use the Nega-Band connection to save Rick Jones. Following that series, Genis-Vell moved into his own monthly book, still bonded to his father’s former side-kick. The series ran for 35 issues, before being rebooted in a Marvel promotion in 2002. The reboot, still written by Peter David, ran for another 25 issues. David is one of the best comic book writers, so any of these issues are a treat. Sadly, this is not a series that has been reprinted beyond one trade paperback, so you may need to dive into some back-issue bins to track this one down.

Showcase Presents Challengers of the Unknown Vol. 2

Showcase Presents Challengers of the Unknown Vol. 2

First Published: April 2008

Contents: Challengers of the Unknown #18 (February-March 1961) to #37 (April-May 1964)

Key Creator Credits: Bob Brown, Arnold Drake, Ed Herron, and others

Key First Appearances: Cosmo

Story Continues From: Showcase Presents Challengers of the Unknown Vol. 1

Overview: A plane crash brings four men together, when they realize that they cheated death by walking away from the wreckage. Rocky Davis (Olympic wrestling champion), Prof Haley (master skin diver), Red Ryan (circus daredevil), and Ace Morgan (fearless jet pilot) team-up to form the Challengers of the Unknown, and their adventures continue in this second Showcase Presents volume.

Once again, the book follows a predictable formula from issue to issue. Most issues featured two stories – one with honorary Challenger June Robbins and one without June. Whether it was aliens from space, creatures from the Earth, or killer robots from laboratories, the Challengers stood up to anything thrown their way.

Only one new character is introduced in this volume, as the Challengers come across an alien animal that they adopt as a pet. Named Cosmo since he came from the stars, Cosmo would make the occasional appearance, including in one issue where his rightful owner came to Earth looking for his pet.

Why should these stories be Showcased?: I really want to like this book, but I just can’t. The creators had a story formula and stuck with it issue after issue after issue. The Challengers face off against threats from outer space, giant robots attacking the city, and the return of Multi-Man every four or five issues, and the story locations would just happen to require the use of their special skills. Come on, truthfully, how many stories can involve both skin-diving in the ocean AND climbing mountains? Even though the guys are living on borrowed time, at no point do we ever feel like the guys will not survive the latest adventure. It pains me to write this, but I think this is a volume that does not need to be on your bookshelf. I wish DC could skip ahead to the issues where the Challengers start interacting with other members of the DC Universe.

If you like this volume, try: the Silver Age event from DC Comics in 2000. This has never been collected, so plan on digging in some back-issue boxes to track this down. Most credit is given to Mark Waid as the overall architect of the project, but most of DC’s top talent of that time was involved in some form or fashion. The story was started with book titled simply Silver Age. Agamemno, a villain from space, enlists the help of Lex Luthor and other villains in swapping places with their heroic counterparts. The story then split off into nine one-shot books from books popular during the 1960s (Justice League of America, Challengers of the Unknown, Teen Titans, Dial H for Hero, Flash, Doom Patrol, The Brave and the Bold, Green Lantern, and Showcase). For the Silver Age: Challengers of the Unknown book, the Challengers travel to Ivy University to help Atom defeat Chronos. The Silver Age books were done to look like were released in the 1960s, complete with the checkerboard cover, an old DC Comics logo, This was a fun project to look back fondly on DC’s Silver Age of comics.

Essential Classic X-Men Vol. 2

Essential Classic X-Men Vol. 2

First Published: May 2006

Contents: The X-Men #25 (October 1966) to #53 (February 1969); and Avengers #53 (June 1968)

Key Creator Credits: Roy Thomas, Werner Roth, Gary Friedrich, Arnold Drake, Don Heck, George Tuska, Jim Steranko, Barry Windsor-Smith, John Buscema, and others

Key First Appearances: Sean Cassidy/Banshee, Cobalt Man, Candy Southern, Changeling, Frankenstein’s Monster, Grotesk, William Drake, Madeline Drake, Mesmero, Norton McCoy, Edna McCoy, Lorna Dane/Polaris

Story Continues From: Essential Uncanny X-Men Vol. 1

Story Continues In: Essential Classic X-Men Vol. 3

Overview: Welcome back to Xavier’s School for Gifted Youngsters. With a small enrollment, headmaster Charles Xavier is able to focus and help each student develop to the fullest extent of their abilities. Mutant abilities, that is! As all of the students are members of the X-Men, mutants working to build a world that homo-sapiens and homo-superior can live side-by-side.

In this volume, we get the first new member to join the team, as Mimic comes on board. However, he left quickly after fighting with Cyclops and losing his ability to mimic others’ abilities during a fight with the Super-Adaptoid. At this same time, future X-Man Banshee is introduced as a foe, but soon becomes a loyal friend to the X-Men. At the end of this volume, we do meet Lorna Dane, but more of her story will unfold in Essential Classic X-Men Vol. 3.

Now, over the years, many people have claimed that Charles Xavier can be an ass. A story arc in this volume would be Example #1. During a battle with Grotesk, the X-Men believe that Xavier has been killed. The students bury their mentor and figure out how they will function going forward. Out of nowhere, Xavier returns alive and well. Turns out he had been hiding in a secret basement at the mansion, so he could mentally prepare to stop an alien attack. Xavier hired the reformed criminal known as Changeling to impersonate him, giving him some of his mental powers. So it was the Xavier-impersonator that died in battle with Grotesk. Trust me, this is just the first of a long list of Xavier’s foibles.

Towards the end of these issues collected, a new format was introduced into the books. The stories would run around 15 pages, and then there would be a 5-page back-up which slowly revealed the origins of the original X-Men. In this volume, we get the origins for Cyclops, Iceman, and Beast.

What makes this Essential?: I actually feel that these stories are better than those found in Essential Uncanny X-Men Vol. 1. While I do not want to besmirch the work of Stan Lee and Jack Kirby, I don’t believe the X-Men were ever their top priority. I think when writer Roy Thomas comes onboard, he is able to put his full effort into the stories, and we see the characters start to develop, becoming individuals with unique costumes and not just chess pieces controlled by Xavier. I almost think the casual X-Men fan would be better off starting with this volume first before ever reading Essential Uncanny X-Men Vol. 1.

Footnotes: X-Men #45 and Avengers #53 are also reprinted in Essential Avengers Vol. 3.

If you like this volume, try: Marvel Visionaries: Roy Thomas, which collects assorted issues from Thomas’ legendary career at Marvel. In the early 1960s, Stan Lee realized he needed help and hired Thomas to come in as an assistant. He was quickly promoted to writer, and one-by-one, Thomas would scribe the adventures of nearly every significant Marvel title at some point in the 1960s and 1970s. By my count, he has stories reprinted in over 35 Marvel Essentials (plus 2 DC Showcase Presents). The stories collected here give the reader some of the many highlights from Thomas’ resume – The Avengers, the X-Men, the Fantastic Four, Spider-Man, Iron Man, Hulk, the Invaders, Dr. Strange, and Dracula.