Showcase Presents The Doom Patrol Vol. 2

doompatrol2First Published: August 2010

Contents: The Doom Patrol #102 (March 1966) to #121 (October 19686)

Key Creator Credits: Arnold Drake, Bruno Premiani, Bob Brown, and others

Story Continues From: Showcase Presents Doom Patrol Vol. 1

Overview: They’re back! The quirkiest, kookiest, uncanniest heroes in all of DC Comics – the Doom Patrol! Led by the Chief, the various members of the Doom Patrol (Robotman, Elasti-Girl, Negative Man, Mento, and Beast Boy) find ways to save the world without killing each other in the process.

As a friendly reminder, the Doom Patrol is comprised of people that society deems as freaks or outcasts. Robotman has a human brain inside a robot shell. Elasti-Girl is a beautiful actress who can shape her body into any form. Negative Man keeps his body wrapped up in bandages to help hide the negative form inside his body. The world says that these people should serve no purpose anymore. But the Chief knows he can mold these outcasts into heroes.

But despite all the standard super-hero fighting, life still goes on for these characters. Elasti-Girl and Mento fall in love and get married. (Naturally, their ceremony is disrupted by the Brotherhood of Evil.) The new copule even go so far as to adopt Beast Boy into their family.

But just when you think things are finally clicking for these offbeat characters, the end came for the Doom Patrol, figuratively and literally. In issue #121, the series came to an abrupt end. The team faced off against General Zahl, who put them in a bind by having to decide between their lives and the lives of an innocent town. The Doom Patrol agreed to save the town, and the core members (Chief, Robotman, Elasti-Girl, and Negative Man) appeared to be destroyed in an explosion. The final panels end with series creators Arnold Drake and Bruno Premiani putting a challenge out to the readers to determine if the Doom Patrol should ever return.

Why should these stories be Showcased?: I still want to recommend this book to anyone interested in the concept or the characters. But I don’t think I liked this one nearly as much as Volume 1. The initial issues in this collection mirror the comics in the last collection. But about halfway through the book, the title takes an odd turn. It feels like the villains become cast members of the title, appearing on a monthly basis. Part of the charm of the a good comic, for me at least, is rotating the foes around each issue. If the foes are in every issue, than it just feels like a bad TV sitcom. Give this book a look, but don’t be surprised if you go back to Volume 1 more often.

Footnotes: In 1973, DC re-started The Doom Patrol for three issues – sort of. Continuing the numbering from where it left off in 1968, DC published issues #122 to #124, but all three comics were reprints of early Doom Patrol stories that can be found in Showcase Presents Doom Patrol Vol. 1. Maybe DC was trying to test the waters to see if there was still interest in the concept? Needless to say, it did not appear to gain a foothold in 1973 beyond these three issues.

CIA (Comic In Animation): Over 40 years after the initial release of the issue, Doom Patrol #121 was adapted in the Batman: The Brave and the Bold animated series. In an episode from season 2 titled “The Last Patrol!”, the Doom Patrol must come out of retirement to stop all of their former foes. Despite having the Caped Crusader helping them out, the Doom Patrol still finds themselves faced with the choice to sacrifice their lives so that others may live.

If you like this volume, try: The Doom Patrol relaunch from 1987 by Paul Kupperberg, Steve Lightle, and Eric Larsen. In the DC Universe following the events of Crisis on Infinite Earths, a new Doom Patrol rises up. It’s a mixed team, with members from the classic 1960s line-up shown in this Showcase Presents, plus members from the mid-1970s reboot done by Kupperberg and Joe Staton in Showcase #94-96. This is an interesting take on the characters, and for many readers (including yours truly) this was their first exposure to the Doom Patrol concept. The original issues had the team headquarters based in Union Station in Kansas City, which made me quite happy. (It was only after the fact that I learned that the artist Steve Lightle also lived here!) This version of the team ran for 18 issues, plus an annual and a special that crossed over with the Suicide Squad, but it often gets overlooked as it was immediately followed by the start of Grant Morrison’s legendary take on the concept. Outside of the Suicide Squad special, these issues have not been reprinted, so you will need to dive into some back-issue bins to track these down.

Showcase Presents The Doom Patrol Vol. 1

Showcase Presents The Doom Patrol Vol. 1

First Published: April 2009

Contents: My Greatest Adventure #80 (June 1963) to #85 (February 1964); and The Doom Patrol #86 (March 1964) to #101 (February 1966)

Key Creator Credits: Arnold Drake, Bruno Premiani, Bob Brown, and others

Key First Appearances: Niles Caulder/The Chief, Cliff Steele/Robotman, Rita Farr/Elasti-Girl, Larry Trainor/Negative Man, General Immortus, the Brotherhood of Evil (the Brain, Madame Rouge, Monsieur Mallah), Animal-Vegetable-Mineral Man, Steve Dayton/Mento, Garguax, Garfield Logan/Beast Boy, Jillian Jackson,

Story Continues In: Showcase Presents Doom Patrol Vol. 2

Overview: Let’s take three outcasts, who find themselves with special abilities as the result of accidents. None can fit into society, and have no where else to go. Let’s organized them behind the leadership of a wheelchair-bound genius. Is this the X-Men? No, this is the Doom Patrol!

Let’s start with our heroes:

  • First there is Robotman. Cliff Steele was race car driver who was involved in a deadly crash. With his body shutting down, a skilled doctor (Niles Caulder) removes Cliff’s brain and places it inside a steel body. Robotman has been the anchor point for every incarnation of the Doom Patrol.
  • Next up is Elasti-Girl. Rita Farr was an Olympic athlete and a Hollywood movie star. While on location in Africa, Rita is exposed to some mysterious gases, which gives her the ability to grow or shrink her body, but it’s an ability she cannot control. Giving up her career, she goes into hiding until she is recruited by Niles Caulder to join his team.
  • Let’s look at Negative Man now. Larry Trainor flew through a radioactive field while test piloting a jet. Filled with a mysterious energy, Larry can send a black negative form out of his body, which can fly and move objects at will. That negative form can only be outside of Larry’s body for 60 seconds, or he risks dying. Because of the radioactivity, Larry must wrap his body up in protective gauze, so he does not expose those around him to the radiation. He too is recruited by Niles Caulder.
  • Finally, the Chief. This is the Niles Caulder that has appeared in everyone’s story. A genius confined to a wheelchair, Caulder directs his team to help humanity any way they can, even though humanity wants very little to do with them.

Initially, the Doom Patrol fought many of the same foes over and over, month to month. We get a lot of appearances by General Immortus, a man whose seen way too many birthdays in his long life. The team also matches up with Animal-Vegetable-Mineral Man, whose body can morph into any item that can be classified as one of those three objects.

As the book progresses, new heroes join the team, such as Mento (secretly Steve Dayton, the sixth richest man in the world) and Beast Boy, a green-skinned teenage boy who can transform himself into any kind of animal. But as the team grows, so does the threat level, with more powerful foes like the Brotherhood of Evil,.

Why should these stories be Showcased?: I was really surprised about how much I ended up enjoying this volume. The plots of the stories can be somewhat kooky, but the interactions between the characters really feels like a 1960s Marvel Comic. Despite an explosive finish to their title, which we will discuss in more detail with Showcase Presents The Doom Patrol Vol. 2, these characters have stuck around in various incarnations for 50 years. When Arnold and Bob developed Beast Boy, I really think that was done to add some youth to the title. I don’t think anyone could have ever imagined he would become such a critical character for DC in the Teen Titans. Anyway, I would say track down a copy of this book, especially if you are a fan of the Silver Age Marvel Comics.

Footnotes: So you have a group of heroes with odd powers, led by a man confined to a wheelchair. Sure sounds like the X-Men, right? For many years, numerous commentaries have noted the similarities between the two teams. The Doom Patrol first appeared in My Greatest Adventure #80 (June 1963). The X-Men debuted in the first issue of their book three months later. There is no hard evidence to show that Marvel was trying to swipe away the concept from DC. And three months would barely be enough time to get start a “stolen” concept from script to publication in 1963, especially given Marvel’s limited distribution options. I think it’s safe to say that creators in the comic book industry like to get together and talk shop, and that some common ideas are shared over a public discussion, then fully developed on their own in the respective company offices. (Something similar to this happened in the early 1970s, as Man-Thing and Swamp Thing were introduced around the same time from the two companies.)

MIA (Missing Issue Alert): In the final issue in this collection, Doom Patrol #101, the Challengers of the Unknown appear in the last panel. This was to set up a crossover with Challengers of the Unknown #48, the first of a two-part story which would be finished in Doom Patrol #102. However, the Challengers issue was not included, either in this volume or in Showcase Presents The Doom Patrol Vol. 2. And the Showcase Presents Challengers of the Unknown line has yet to reach issue #48. So you may need to hit the back-issue bins to find this comic to complete the story.

If you like this volume, try: The Doom Patrol Omnibus by Grant Morrison and Richard Case. In the mid-1980s, following the events of Crisis on Infinite Earths, DC relaunched The Doom Patrol, returning the team to it’s traditional roots and characters. However, after 18 issues, DC opted for a change, and gave the book over to a very young Grant Morrison, a Scottish comic book writer best known for his work on Judge Dredd. His work had finally caught the attention of DC, and they had already started him on Animal Man. Beginning with issue #19, Morrison took over Doom Patrol and flipped it on it’s head. Ditching most everything but Robotman, Doom Patrol went on an eccletic ride for four years under Morrison’s direction, making the strange the norm. By the end of Morrison’s run, DC had moved The Doom Patrol under the Vertigo banner. Morrison’s run has been reprinted multiple times in trades, and most recently as an omnibus.