Essential Ghost Rider Vol. 3

ghostrider3First Published: November 2009

Contents: Ghost Rider #51 (December 1980) to #65 (February 1982); Marvel Two-In-One #80 (October 1981); Ghost Rider story from Marvel Super-Heroes #11 (October 1992); and Avengers #214 (December 1981)

Key Creator Credits: Michael Fleisher, Don Perlin, Jack Sparling, Herb Trimpe, Alan Kupperberg, Luke McDonnell, and others

Key First Appearances: Asmodeus, Hamilton Slade/Phantom Rider, Red Fowler

Story Continues In: Essential Ghost Rider Vol. 2

Story Continues From: Essential Ghost Rider Vol. 4

Overview: Ghost Rider is back in action with another Essential volume reprinting his original series from the early 1980s. Stunt rider Johnny Blaze travels the American West, going from one gig to the next, doing his best to stay out of trouble as well as keeping the demon Zarathos from taking control of his soul.

Without a lot of supporting characters from issue to issue, many of these stories are one-and-done as Ghost Rider finds himself in a different location each issue. It’s not to say that Johnny doesn’t run into some familiar faces along the way. We get crossovers with the Thing, the Avengers, the Arabian Knight, Werewolf by Night, and others.

What makes this Essential?: I’m sure there is something I am missing here, but I just don’t get Ghost Rider. I understand the origins of the character. I can see how some people would be attracted to this character. But from what I have read so far in these Essential volumes, I find it disappointing. The stories and the art seem very average. I have read more contemporary Ghost Rider stories and found them much more interesting. My only thought is that these Ghost Rider issues filled a niche in the market and the followers were extremely loyal and vocal to keep Ghost Rider around. 

Footnotes: Marvel Two-In-One #80 is also reprinted in Essential Marvel Two-in-One Vol. 4.

If you like this volume, try: the original Marvel mini-series, Marvel Super Heroes Contest of Champions. This was originally planned on an oversized special to coincide with the 1980 Summer Olympics. But when the United States pulled out of the games, Marvel shelved the project and resurrected it two years later as a three issue mini-series. In Contest of Champions, the Grandmaster engages in a game against the entity representing Death. He wants to get his brother, the Collector, resurrected, and wages his own life if he should lose. The two participants choose teams of heroes from around the globe and make them square off against each other. While Ghost Rider is not featured in this series, the Arabian Knight and the Thing are both participants in the game. This series has been reprinted multiple times, making it easy to track down in some format.

Showcase Presents Green Lantern Vol. 4

Showcase Presents Green Lantern Vol. 4

First Published: June 2009

Contents: Green Lantern #60 (April 1968) to #75 (March 1970)

Key Creator Credits: John Broome, Gil Kane, Sid Greene, Gardner Fox, Jack Sparling, Mike Sekowsky, Mike Friedrich, and others

Key First Appearances: Olivia Reynolds

Story Continues From: Showcase Presents Green Lantern Vol. 3

Story Continues In: Showcase Presents Green Lantern Vol. 5

Overview: Welcome to the end of the Silver Age! It’s been a turbulent age, and times are tough. Former jet test pilots are out of work and forced to take jobs as insurance adjusters or traveling toy salesmen. For a guy with one of the most powerful devices in the universe, Hal Jordan’s life sure seems dark at times. This is Showcase Presents Green Lantern Vol. 4.

Green Lantern is at an interesting crossroads during this time period. The stories in this era fulfill the primary obligation of getting a monthly book out on time. (And I say monthly, but most DC books in this era came out eight times a year, not 12.) But the there wasn’t any kind of ongoing story from issue to issue. In fact, the creative teams seemed to change quite a bit from issue to issue. You might get a Broome/Kane issue one month, and a Fox/Sekowsky issue the next.

We also face a lack of new characters being introduced in this volume. Instead, most of the stories have Hal Jordan arriving in a location, dealing with the problem of the month, and then moving on. As this volume draws to a close, we finally get a return of some familiar faces with Carol Ferris and Tom Kalmaku, while Sinestro drops in to wreck havoc on the reunion.

Why should these stories be Showcased?: I don’t know that I can strongly recommend this volume. Hear me out on this one. The art is incredible as always. I’ve said before that any issues by Gil Kane can give you a proper lesson on comic-book storytelling. The stories themselves are decent, but I don’t know that any of them were memorable. The biggest issue I have with this volume is just that — the issues. This collection only has 16 issues, coming in at just under 400 pages. Yet it still carried the standard cover price of $16.99, the going rate for Showcase Presents volumes at that time in 2009. Now, I get why DC truncated this volume as they did. The first issue of Showcase Presents Green Lantern Vol. 5 is #76, which starts the legendary O’Neil/Adams run that ushered in the Bronze Age at DC Comics. DC wanted to get all of those stories in one collection. But if you are going to do that, then either find additional material to put into Vol. 4 or adjust the price down to compensate for the lower page count.

If you like this volume, try: the Sinestro Corps War from 2007. Inspired by an Alan Moore story from 1986, writer Geoff Johns brought together several story threads that had been building for two years in the pages of Green Lantern and Green Lantern Corps. Longtime Green Lantern foe Sinestro has put together his own corps of yellow lantern wielders. Over the course of the series, the Guardians reveal the legend of the Blackest Night, which set the stage for the future story arc, and even referenced the five other color rings that would play a part in that storyline. The Sinestro Corps War has been collected multiple times in multiple formats, so it should be easy to track down.

Showcase Presents Eclipso Vol. 1

Showcase Presents Eclipso Vol. 1

First Published: August 2009

Contents: Eclipso stories from House of Secrets #61 (July-August 1963) to #80 (September-October 1966)

Key Creator Credits: Bob Haney, Lee Elias, Alex Toth, Jack Sparling, and others

Key First Appearances: Dr. Bruce Gordon/Eclipso, Professor Simon Bennett, Mona Bennett, 

Overview: Dr. Bruce Gordon is examining a black diamond when a solar eclipse occurs. The filtered light from the eclipse hits the black diamond, and Gordon is changed into Eclipso. Eclipso is a typical 1960s DC villain, who wants to take over the world without the overly malicious violence. Eclipso can fire energy rays from his eyes via the black diamond, and seems to always have henchmen available for this latest plot. After some period of time following the eclipse, Eclipso reverts back to Gordon, and he is left trying to clean up the mess that Eclipso made.

Trying to help Gordon is his girlfriend, Mona Bennett, and her father, Professor Simon Bennett. They are aware of Gordon’s condition, and do their best to help him control the transformations, trying to protect him from the all-too-numerous eclipses that occur in the DC universe.

Towards the end of the run of these stories, Gordon/Eclipso teamed up with Mark Merlin/Prince Ra-Man, the co-tenant of House of Secrets with Eclipso.

Why should these stories be Showcased?: While this volume gives us the usual assortment of quirky Bob Haney stories, plus art from Alex Toth, I don’t know that this is a necessary volume. When this run ended, it was eight years before Eclipso surfaced again. He was used sporadically for 15 years as the villain of the month, until he became a major threat in the early 1990s. What we think of the character today has very little to do with the stories collected in this Showcase. If DC had collected more of Eclipso’s appearances beyond the House of Secrets run, this might have been a more interesting collection.

Footnotes: House of Secrets came to an end with issue #80 in 1966. Three years later, DC brought back the title, but now used as a horror anthology, picking up the numbering with issue #81.

If you like this volume, try: digging in the back issue bins to find the DC Annuals from 1992 to read Eclipso: The Darkness Within storyline. This has never been reprinted in a collection, so you will need to search for the individual issues. The series featured a beginning and ending bookend books, and then travelled across various DC titles of the time. Eclipso: The Darkness Within #1 was unique, as the books shipped to comic book stores featured a plastic black diamond attached to the front cover. Of course, this led to damaged comics, the awkwardness of storing the comic, and the cheap glue that led to the diamond coming off of the cover. If you are looking to find the story, these are the annuals to track down: Action Comics Annual #4; Adventures of Superman Annual #4; Batman Annual #16; Deathstroke the Terminator Annual #1; The Demon Annual #1; Detective Comics Annual #5; The Flash Annual #5; Green Arrow Annual #5; Green Lantern Annual #1; Hawkworld Annual #3; Justice League America Annual #6; Justice League Europe Annual #3; L.E.G.I.O.N. Annual #3; The New Titans Annual #8; Robin Annual #1; Superman Annual #4; Superman: The Man of Steel Annual #1; Valor #1; and Wonder Woman Annual #3.

Showcase Presents The Unknown Soldier Vol. 1

Showcase Presents The Unknown Soldier Vol. 1

First Published: November 2006

Contents: Star Spangled War Stories #151 (June-July 1970) to #188 (June 1975)

Key Creator Credits: Joe Kubert, Bob Haney, Robert Kanigher, Archie Goodwin, Jack Sparling, Gerry Talaoc, Frank Robbins, David Michelinie, and others

Key First Appearances: The Unknown Soldier

Story Continues In: Showcase Presents The Unknown Soldier Vol. 2

Overview: Two brothers from a Kansas farm enlist in the Army at the onset of World War II, and are assigned to the same unit serving in the Philippines. Trapped in a foxhole, one brother jumps on a live grenade to protect his sibling. While the grenade killed the first brother, the second brother is horribly disfigured. Given the option of a medical discharge, the disfigured soldier turns it down, wishing to remain on duty. His late brother had made a comment that one man in the right place can affect the outcome of a battle or a war. He takes on the designation of The Unknown Soldier, and returns to the front lines, undertaking special missions.

These stories are generally one-and-done stories, which alternate between the European and Pacific fronts. The stories follow a predictable formula, all the way down to the page layouts to start each story. Towards the end of this volume, we get two multi-issue stories. Otherwise, these stories could be read in any order.

Why should these stories be Showcased?: This is an interesting volume. From a historical perspective, these stories should be showcased. Anything that Joe Kubert worked on should be reprinted, and his art shines brighter in the black & white format. My concern is that I don’t think this is Kubert’s best work in the medium. I think you need to read his Sgt. Rock stories to really experience a Kubert war comic.

Footnotes: Star Spangled War Stories #157 reprints a Sgt. Rock story where Easy Company encounters an unknown soldier but not “The Unknown Soldier”. That original story, from Our Army At War #168, was reprinted in Showcase Presents Sgt. Rock Vol. 3.

If you like this volume, try: Joe Kubert’s book, Fax from Sarajevo: A Story of Survival. Based on communication from European comics agent Ervin Rustemagić, Kubert put together a disturbingly real look at what modern warfare looks like, detailing the Serbian takeover of the agent’s homeland. Rustemagić and his family survive for nearly two years before finally escaping Sarajevo for good in 1993. During this time, Rustemagić would communicate with the outside world via a fax machine, giving updates of the situation. One of the recipients of the faxes was Kubert, who later worked with Rustemagić to turn this into a graphic novel. Released in 1996 by Dark Horse Comics, Fax from Sarajevo received multiple awards both within the comics industry as well as within the publishing industry.