Showcase Presents World’s Finest Vol. 4

worldsfinest4First Published: November 2012

Contents: Superman, Batman, and Robin stories from World’s Finest Comics #174 (March 1968) to #178 (September 1968); #180 (November 1968) to #187 (September 1969); #189 (November 1969) to #196 (September 1970); and #198 (November 1970) to #202 (May 1971)

Key Creator Credits: Cary Bates, Neal Adams, Ross Andru, Mike Esposito, Leo Dorfman, Curt Swan, Robert Kanigher, Bob Haney, Denny O’Neil, Dick Dillin, and others

Key First Appearances: Supernova

Story Continues From: Showcase Presents World’s Finest Vol. 3

Overview: It’s interesting to compare and contrast Superman and Batman. They often get portrayed as total opposites – one shining brightly in the light of the sun, the other hidden in the shadows of the night. One who has been given powers to rival that of a god, the other just a mortal man who pushes himself to the limits of human performance. But these guys are still so similar, they could be twin brothers from different mothers (both named Martha). They’re orphans that would give up everything to have one more moment with their parents. They both strive to make the world better in their own ways. These are two of the world’s finest heroes, and this is Showcase Presents World’s Finest Vol. 4.

As with the previous volumes, these tend to run as one-and-done stories, with little to no continuity running between issues. We do get a shift in the narrative of the stories as we transition into the Silver Age. Writer Denny O’Neil brings a new approach to the storytelling, mirroring his work in Justice League of America and Batman. The art steps up a notch, too, as artists like Dick Dillin and Ross Andru create a more life-like look at Superman and Batman.

We still get plenty of cameos from all corners of the DC Universe. Whether it’s employees of the Daily Planet or residents of stately Wayne Manor, this title welcomes everyone in. We get multiple appearances by the classic villains such as Luthor and Joker, which is really the reason why we keep reading these stories, truth be told! The one new character introduced is Supernova, a new partner for Superman when Batman decides to work with Green Arrow. Supernova as a character name will surface again over the years, most recently with Booster Gold.

Why should these stories be Showcased?: There are certain titles from both DC and Marvel that should be no-brainer must-own collections in your library. Obviously, the various team-up titles come to mind first, and is it a coincidence that the two DC team-up titles feature Batman and Superman? So obviously you want to include in your collection the team-ups between Batman AND Superman.

The stories in this collection mark the turn from the Silver Age to the Bronze Age. Denny O’Neil and friends bring a more sophisticated approach to the story-telling. We even get a few Superman team-ups sans Batman, including one of the earliest races against the Flash. This is a must-own collection, and probably the best of the four World’s Finest collections.

Footnotes: The stories from World’s Finest Comics #195 and #200 were also reprinted in Showcase Presents Robin Vol. 1.

The story from World’s Finest Comics #176 was also reprinted in Showcase Presents Batgirl Vol. 1.

World’s Finest Comics #179, #188. and #197 were reprint issues and are not included in this volume.

If you like this volume, try: the Worlds’ Finest series that was part of DC’s New 52 line. Overseen by writer Paul Levitz, Worlds’ Finest (and note the placement of the apostrophe!) tells the tale of Power Girl and Huntress traveling from their home, Earth-2, over to Earth-1 and setting up residence. Stranded from their family, friends, and finances, the costumed heroines must find their way in the new world. This is a great spin on the Superman/Batman dynamic, highlighted by the incredible art from the likes of Kevin Nowlan, George Perez, Scott Kollins, and more. This series is readily available in trade paperbacks, and many of the back issues can still be found in the bins.

 

Showcase Presents World’s Finest Vol. 3

worldsfinest3First Published: March 2010

Contents: Superman, Batman, and Robin stories from World’s Finest Comics #146 (December 1964) to #160 (September 1966); #162 (November 1966) to #169 (September 1967); and #171 (November 1967) to #173 (February 1968)

Key Creator Credits: Curt Swan, Edmond Hamilton, George Klein, Sheldon Moldoff, Jim Shooter, Cary Bates, Leo Dorfman, and others

Key First Appearances: Batman Jr., Superman Jr., Bizarro Batman

Story Continues From: Showcase Presents World’s Finest Vol. 2

Story Continues In: Showcase Presents World’s Finest Vol. 4

Overview: Sure, there’s a movie coming out next month that is going to pit our two heroes, Superman & Batman, against each other. Anyone can tell a fight story. The real challenge is to tell a story that has the two heroes teaming up to counter some threat that requires both Superman’s brawn and Batman’s brains. And that what we get here with Showcase Presents World’s Finest Vol. 3.

Now as with the previous volumes in this series, these are one-and-done type stories with little to no carry-over from issue to issue. Although not officially a Superman book, this title was overseen by the Superman editor Mort Weisinger, and most of the art is done by legendary Superman artist Curt Swan. So you see a lot of characters pop in from the Superman universe, more so than from the Batman universe.

There is one new concept that would stick around in various forms for the next decade or so. That concept would be Superman Jr. and Batman Jr., the offspring of our featured heroes. In these stories that take place sometime in the future (despite Batman not aging), our stars have married their co-stars (Lois Lane and Kathy Kane, respectively) and started families. With fathers who are also famous super-heroes, it’s only natural that the boys wear identical costumes to their parents, whether they are 3-years-old or 13-years-old. And no kid is ever a perfect angel, so expect these boys to get into trouble – the kind of trouble that would require a super-hero or two to bail them out.

One concept was introduced that we need more of in comics – Bizarro Batman! Again, if you are going to have Batman appearing in a Superman book and facing mostly Superman foes, then it is only natural that a Bizarro Batman makes an appearance. Sadly, he only made a few appearances before fading off into character limbo. But he was around long enough to help Bizzaro create a Bizzaro Justice League. Ponder that thought some while you wait for the next collection!

Why should these stories be Showcased?: It’s Superman and Batman. Seriously, I have to imagine that DC turned some kind of profit on each of the Showcase Presents volumes that involved one of the characters. In fact, I would be entirely happy if DC would only publish future Showcase Presents volumes involving one of these guys (but I know that is not going to happen!). I’ve said it before, and I’ll say it again here – the stories presented in World’s Finest Comics are the best Superman and/or Batman stories from this era (late 1964-early 1968). Yes, Batman was getting better in this time, but I still believe his best appearances are in this run. Take a look at the book and let me know what you think.

Footnotes: The story from World’s Finest Comics #147 was also reprinted in Showcase Presents Robin Vol. 1.

The story from World’s Finest Comics #169 was also reprinted in Showcase Presents Batgirl Vol. 1.

World’s Finest Comics #161 and #170 are reprint issues, and are not included in this volume.

If you like this volume, try: the DC’s Greatest Imaginary Stories trade paperbacks released in 2005 and 2010. One of the common types of stories from DC’s Silver Age of comics was the imaginary story. At that time, many of the DC writers and editors were former science-fiction story writers and editors who had made a career out of telling imaginary stories. With an anthology title like Strange Adventures or The House of Mystery, you could tell all kinds of imaginary stories from issue to issue, but it was no big deal.

But when you start trying to tell stories involving Superman or Batman, suddenly these become quite important. Some of these stories would completely contradict the overarching story of the character, so it couldn’t be told. Just imagine what would have happened if Bruce Wayne had been raised by Ma and Pa Kent following the death of his parents?

Other stories would take the characters in such radical directions that it would disrupt the natural one-and-done nature of each comic. What would happen if Lois Lane married Superman? Could they have children? Would they have his powers?

Gradually, as the Silver Age gave way to the Bronze Age, and the next wave of writers, artists, and editors took over the guardianship of the characters, the imaginary stories faded away. Yes, they would be brought back from time to time, even into modern times with many of the works by Grant Morrison or Alan Moore. It’s important to recognize these stories, even if they can be somewhat cheesy. This first trade collects primarily Superman stories, although there are some stories featuring Batman, the Flash, and Captain Marvel. The second trade is strictly Batman stories.

Showcase Presents Supergirl Vol. 2

Showcase Presents Supergirl Vol. 2

First Published: November 2008

Contents: Supergirl stories from Action Comics #283 (December 1961) to #321 (February 1965)

Key Creator Credits: Jim Mooney, Jerry Siegel, Leo Dorfman, and others

Key First Appearances: Jax-Ur, Comet the Super-Horse

Story Continues From: Showcase Presents Supergirl Vol. 1

Overview: Forget her status as a secret weapon, Supergirl is introduced to Earth as it’s newest protector from Krypton. Working with Superman, she helps patrol the planet during all of the numerous times that Superman is called off into space; called into the future to assist the Legion of Super-Heroes; or called back into the past for whatever reason. 1960s Superman comics – nothing else like it!

The books in this collection fall into some story groups. First up is the introduction of Comet the Super-Horse. Unlike everyone else with the “Super” in their name, Comet does not hail from Krypton. Instead, he was a centaur from ancient Greece. He petitioned the witch Circe to make him into a man, but another sorcerer interferes and tricks the witch into making him into a full blown horse. Unable to change him back, Circe grants Comet superpowers, including immortality. (Because when you are forced to be a horse, everyone wants to live forever.) Arriving on Earth, he meets Supergirl and finds that he can communicate with her telepathically. (Seriously, don’t think too hard about this one….)

The next set of stories deals with Lena Thorul, a resident of Midvale and the younger sister of super-criminal Lex Luthor. Lena has developed ESP, so it’s a challenge for Supergirl to keep her identity a secret from her friend. Lena wants to become an FBI agent but is afraid that her brother’s history will keep her out. When her family connection is revealed, she buys a one-way ticket to Africa and becomes a Tarzan-like jungle girl. (I cannot make this stuff up, people!)

Another set of stories deals with Supergirl’s parents, Zor-El and Alura. We all thought they had perished in Argo when the kryptonite radiation killed off the residents of the floating city in space. Turns out, they managed to exile themselves into the Survival Zone, which is very similar to the Phantom Zone, just without the criminals. Supergirl finds a way to rescue her parents, but now faces a dilemma of having two sets of parents. What is a girl to do? The first thought is to have her birth parents move to the bottled city of Kandor, and live with their fellow Kryptonians. However, Alura’s health starts to fail, as she is suffering from heartbreak over her missing daughter. So, to heal her birth mom, Supergirl convinces her step-parents, Fred and Edna Danvers, to trade places with her real parents, and the three Kryptonians become a super-team family. But then Edna is exposed to an evil spore and attacks Supergirl. Realizing that Kandor is not the best home for them, once again the Danvers exchange places with Supergirl’s parents. 

The volume concludes with Supergirl graduating high school and enrolling in Stanhope College. Unfortunately, some of Supergirl’s sorority sisters are a little catty, and Linda must find ways to outwit them to protect her identity.

Why should these stories be Showcased?: Oh boy, where to start…. I gave Volume 1 a lot of praise for telling positive female stories, especially with it being a DC Silver Age collection. This volume falls short on all marks. The various story arcs might have worked better in a romance comic, but these stories are all from Action Comics, the home of Superman and his family. We finally see Supergirl revealed to the world, and then her storylines dive down into mediocrity. Ugh! I know this book is a product of its time, but it has a hard time holding up 50 years later.

Footnotes: Action Comics #285 is also reprinted in Showcase Presents Superman Vol. 3.

The “Superman’s Super-Courtship!” story from Action Comics #289 is also reprinted in Showcase Presents Legion of Super-Heroes Vol. 1.

The “Monster From Krypton!” story from Action Comics #303 is also reprinted in Showcase Presents Superman Vol. 4.

If you like this volume, try: the 2009 Power Girl series, initially done by Justin Gray, Jimmy Palmiotti, and Amanda Conner. 2009. Power Girl was introduced in All-Star Comics #58 as the Earth-2 version of Supergirl – see Showcase Presents All-Star Comics Vol. 1 for Power Girl’s debut. Over the years, she served as a member of the Justice Society, Infinity, Inc, and even Justice League Europe. It was probably easier to use her in a story rather than Supergirl, as the big red S shield on Supergirl’s costume carries a lot of baggage with it. The one downside to Power Girl is her longevity; her origin has been changed multiple times due to one crisis or another. She became a hard character to work with, given all of the changes to her back story. Flash forward to 2009, and Power Girl earned her own monthly comic. This is one of the best runs using the Power Girl character, focusing more on the present rather than reliving the past. Most of this series has been collected in trade paperbacks, so give this a look.

Showcase Presents Superman Vol. 4

Showcase Presents Superman Vol. 4

First Published: September 2008

Contents: Superman stories from Action Comics #293 (October 1962) to #309 (February 1964); and Superman #157 (November 1962) to #166 (January 1964)

Key Creator Credits: Edmond Hamilton, Al Pastino, Curt Swan, George Klein, Jerry Siegel, Leo Dorfman, and others

Key First Appearances: Nightwing, Flamebird

Story Continues from: Showcase Presents Superman Vol. 3

Overview: Look, up in the sky! It’s a bird! It’s a plane! It’s Superman! Welcome back to the fourth Showcase Presents volume of Superman tales from Superman and Action Comics. The story formulas remain basically the same from previous volumes, but the quality of the stories continues to improve with each collection. 

What stands out in this volume is the innocent story points that are introduced in these issues, but then have ripple effects over the next 50 years of Superman story-telling. For example, in Superman #158, our hero and Jimmy Olsen travel to the bottled city of Kandor. The two adopt new costumed identities inside the city, Nightwing and Flamebird. They would adopt those identities, before handing the roles off to two of Superman’s cousins in the pages of Superman Family in the 1970s. (And in the 1980s, as Dick Grayson was growing out of the Robin identity, he would adopt the new costumed identity of Nightwing as a tribute to the role that Superman had in his life growing up. Grayson would use Nightwing as his code name for nearly 30 years.) Likewise, the adventures of Superman Red and Superman Blue, from Superman #162, was revised in the 1990s by Karl Kessel and friends when Superman was split into two separate electrical beings.

Why should these stories be Showcased?: One of my biggest gripes about the Silver Age Superman stories is that there is no order or continuity to the stories. Most of these stories can be read in any order. Sure, you may have characters introduced from time to time, such as Supergirl, but it’s not a distraction if a story does not include the ENTIRE supporting cast. But we finally get a moment in this volume, Superman #161, where things change forever. We experience the death of Ma and Pa Kent, as Clark Kent is once again orphaned. (Yes, although not reprinted here, but the Kents remained quite alive and active in the pages of Superboy, which recounted his teenage adventures.) The death of his adoptive parents forced the creative teams to start changing the stories. Suddenly, Clark no longer had the excuse of going back to Smallville to see his parents. The orphan angle gets played up on two different levels. Removing these two characters (which lasted until the John Byrne reboot of the Superman franchise following Crisis on Multiple Earths) changed the dynamics for the creators, forcing them to tell NEW stories rather than just rehashing previous stories.

Footnotes: The “Monster From Krypton!” story from Action Comics #303 is also reprinted in Showcase Presents Supergirl Vol. 2.

If you like this volume, try: Superman: Secret Identity, which has been collected in multiple formats. Written by Kurt Busiek with art by Stuart Immonen, this four-issue series follows the life of a young man from Kansas, Clark Kent, growing up in a world where the only super-heroes exist in comic books. And yes, he happens to share the name of everyone’s favorite comic book character; his parents thought it would be funny. So all of his life, Clark has to endure every Superman joke ever told. Each year on his birthday, he receives numerous gifts all emblazoned with the Superman logo. Clark just wants to lead a normal, quiet life. Until one day when Clark actually starts developing powers. He finds that he can fly and that he is now super-strong. Realizing that this may be destiny calling, Clark dons a Superman uniform and becomes the hero that everyone always expected he would be. This is hands-down one of my all-time favorite Superman stories, and it should be part of every collection. Kurt Busiek has proven multiple times that he is a master storyteller, whether it be his own characters in Astro City, or managing the corporate characters from Marvels to Avengers to Superman: Secret Identity. Please pick up this book – you’ll thank me later!