Luke Cage | Essential Showcase

First Published: August 2006

Contents: Power Man #28 (December 1975) to #49 (February 1978); and Power Man Annual #1 (1976)

Key Creator Credits: Don McGregor, Marv Wolfman, Chris Claremont, George Tuska, Sal Buscema, Lee Elias, Frank Robbins, Marie Severin, John Byrne, and others

Key First Appearances: Cockroach Hamilton, Goldbug

Story Continues From: Essential Luke Cage, Power Man Vol. 1

Story Continues In: Essential Power Man & Iron Fist Vol. 1

Overview: The Hero for Hire, Luke Cage, is back for more cash in the newest Essential volume. Let’s be honest here, being a super-hero is expensive work. Not all heroes get a stipend from the Stark Foundation or live off of the royalties from the patent for unstable molecules to be used to make uniforms. Paying rent, buying food, and replacing those yellow silk shirts torn up in battle adds up quick for a struggling hero. Of course, you have to charge a fee for your services.

Luke Cage remains a hero of the people, working out of his office above a Times Square movie theater. He fights a lot of run of the mill one-and-done villains created specifically for this title. Outside of a fight against Moses Magnum in Power Man Annual #1, his villains do not make many, if any, appearances in any other books.

As the book comes to an end, Cage finds a lot of familiar faces from his past coming back to confront him. Crossing paths with the kung-fu hero, Iron Fist, Luke Cage is finally able to clear his name, making him a free man for the first time in many years. The two agree that working together benefits both of them, and a new super-hero duo is formed. But like any other story, that is a tale to be continued….

What makes this Essential?: This book is a step up from the first volume, but not nearly as good as it will become with Essential Power Man & Iron Fist Vol. 1, The second half of the book, under the direction of first Marv Wolfman and then Chris Claremont, starts to finally find it’s place focusing on an urban hero and not just an urban black hero. The art is serviceable, but not memorable by any means. If you are a fan of Luke Cage, this is worth the read. But I would not consider it essential to have in your collection.

Footnotes: Power Man #36 is a reprint of a story originally featured in Hero for Hire #12. The new cover for #36 is included in this Essential.

Giant-Size Power Man #1 (1975) is a reprint collection of stories originally featured in Hero for Hire #14 to #16. The cover is included in this Essential.

Power Man #48 and #49 are also reprinted in Essential Iron Fist Vol. 1.

If you like this volume, try: the New Avengers books from the last decade. When Brian Michael Bendis relaunched the Avengers in the mid-2000s, he brought in a new line-up (Luke Cage, Spider-Woman, Spider-Man, Wolverine, and others) to fill the spots around Captain America and Iron Man. At that time, Luke Cage had become a peripheral character in the Marvel Universe, brought to an event to help fill out the background of a large super-hero crowd scene. Over the run of the New Avengers title, Luke Cage became one of the core members of this line-up, to a point where he became the team leader. New Avengers ruffled the feathers of a lot of long-time Avengers readers, but the non-traditional line-up allowed for some interesting storylines. This has been collected multiple times in trade paperbacks, hardcovers, and omnibus editions, so it should be easy to find these stories.

First Published: March 2005

Contents: Hero For Hire #1 (June 1972) to #16 (December 1973); Power Man #17 (February 1974) to #27 (October 1975)

Key Creator Credits: Archie Goodwin, George Tuska, Steve Englehart, Billy Graham, Len Wein, Tony Isabella, Bill Mantlo, Ron Wilson, and others

Key First Appearances: Luke Cage/Power Man, Noah Burnstein, David “D.W.” Griffith, Claire Temple, Stiletto, Discus, Black Goliath

Story Continues In: Essential Luke Cage, Power Man Vol. 2

Overview: Framed for a crime he did not commit, Carl Lucas is sent to Seagate Prison in the deep south. Lucas volunteers for an experiment conducted by the prison doctor, Noah Burnstein. Doused in a mixture of chemicals, Carl Lucas finds himself with steel-hard skin and solid muscles. Lucas makes a prison break and goes on the run to clear his name. Playing around with his name, he takes on the new identity of Luke Cage and takes on the name to become Power Man, a hero for hire.

Over the course of these stories, Cage sets up shop in Times Square, above a movie theater that only shows westerns and run by would-be-filmmaker D.W. Griffith. Dr. Burnstein returns to set up shop in New York City, aided by Dr. Claire Temple, who quickly becomes the girlfriend of Cage. Cage is eventually able to get his record cleared, and becomes a true hero for the people in downtown New York City, provided their money is green.

Fighting a mix of street thugs and one-appearance villains, Cage does get to tangle with Dr. Doom early on in issues #8 and #9, when he is hired to track down some robots. When Doom bails on the payment, Cage travels to Latveria to collect his $200. Sweet Christmas! Another notable event occurred in issue #24, when Dr. Henry Pym’s lab assistant, Dr. Bill Foster, takes a dose of Pym particles and becomes Black Goliath. He would later drop Black from his name, going by just Goliath, and he would appear in and out of costume up until the events of Marvel’s Civil War.

What makes this Essential?: Again, this is a border-line essential book. With an African-American leading his own title, this is an important change for the lily-white look of Marvel Comics to date. The problem I have is that this reads like a comic-book adaption of Shaft and the other blaxploitation features of the early-1970s. Cage is a better character, and I think we should be thankful that the character has grown well past his early origins. As an early study on the character, you could consider giving this a read. However, you might be better skipping ahead to Essential Power Man & Iron Fist Vol. 1, when his partnership with Danny Rand helps offset the over-exaggerated rage of Luke Cage.

Footnotes: Luke Cage is one of the first African American characters to have his own title. The first is attributed to Dell Comics, which published a two-issue western called Lobo in the mid-1960s.

If you like this volume, try: the Milestone Comics properties from the mid-1990s. Released by DC Comics, Milestone was created by African-American artists and writers that felt they were under-represented within the comics industry. Creating an entirely new universe of characters based around the fictional city of Dakota, titles in the line included Hardware, Static, Icon, Blood Syndicate, and later Shadow Cabinet and Xombi. Several of the characters have moved into the DC Universe proper and have been included in comics as well as the Young Justice cartoon series. There are various collections on some of the titles, but you may need to dive into the back issue bins to track down all issues of the various series.