Showcase Presents Legion of Super-Heroes Vol. 5

Showcase Presents Legion of Super-Heroes Vol. 5

First Published: December 2014

Contents: Legion of Super-Heroes stories from Superboy #193 (February 1973), #195 (June 1973), and #197 (September 1973) to #220 (October 1976); and Karate Kid #1 (March 1976)

Key Creator Credits: Cary Bates, Jim Shooter, Paul Levitz, Dave Cockrum, Mike Grell, Ric Estrada, and others

Key First Appearances: Drake Burroughs/ERG-1/Wildfire, Tyr, Hunter, Infectious Lass, Porcupine Pete, Roon Dyron, Chameleon Chief, Sun Emperor, Esper Lass, Magno Lad, Micro Lad, Leland McCauley IV, Tyroc, Diamondeth, Laurel Kent, Earth-Man

Story Continues From: Showcase Presents Legion of Super-Heroes Vol. 4

Overview: It’s time to go back to the future with the fifth Showcase Presents volume of the Legion of Super-Heroes. If you have been reading along in real time, it’s been more than four years since DC released Volume 4, so this is a long-overdue return to the teenage heroes of the 30th Century!

With this volume, we see the Legion stories slowly starting to take over the Superboy title. For most of these issues, the title on the cover reads Superboy Starring the Legion of Super-Heroes. Beginning with issue #231. the title officially changes to Superboy and the Legion of Super-Heroes. The takeover is finally completed in issue #259, as the title officially becomes Legion of Super-Heroes. 

While we just get two new Legionnaires added to the roster in this collection (ERG-1, quickly renamed to Wildfire, and Tyroc), we see the supporting cast and ancillary characters start to develop. While some of these may seem like throw-away characters, talented writers such as Paul Levitz and Geoff Johns have been able to mine these stories years later and bring these characters back to prominence. For example, in Superboy #218, Cary Bates introduces a character by the code-name of Earth-Man. We don’t see this character for 30 years before Johns brought him back as the main for during his Superman and the Legion of Super-Heroes arc in Action Comics (well worth a read!).

In this volume, we see the end of the Dave Cockrum run with the Legion. Cockrum would leave in late 1974 to head over to Marvel to work on a little book called Uncanny X-Men. Have you heard of it? I thought so…. Cockrum definitely had a particular style with his costumes that he developed for characters, and many people have pointed out the similarities between the Legion for DC and the Imperial Guard at Marvel. (See my review of Essential X-Men Vol. 1 for more details.)

Replacing Cockrum was Mike Grell, whose first published comic book work was these Legion issues. Grell brought a new level of detail to the artwork that had not been seen in Legion stories to date. Following his run on Legion, Grell would do memorable work with Green Lantern, Green Arrow, and Jon Sable.

Why should these stories be Showcased?: I’ll give you two great reasons why this should be Showcased: Dave Cockrum and Mike Grell. The two artists defined the look of the Legion in the 1970s. Whether it was co-creating new characters, or developing new costumes for the characters, Cockrum and Grell are the key components to the Legion’s success in this era. The story structure remains the same as from previous volumes, but we see the signs that the title is moving towards a more traditional comic with stories carrying over across multiple issues. By all means, pick this up for the art if nothing else. But I think you will enjoy the stories, too.

Footnotes: This volume includes the first issue of the Karate Kid solo series. This series ran bi-monthly for 15 issues, and it has not been reprinted in a collected edition.

If you like this volume, try: the 2011 Star Trek/Legion of Super-Heroes mini-series from IDW. Written by Chris Roberson, with art by the Moy brothers (Jeff and Philip), the series unites the greatest heroes from the 23rd Century with the greatest heroes of the 31st Century. Most of the senior crew of the Enterprise (Kirk, Spock, McCoy, Uhura, Sulu, and Chekov) find themselves on a planet where they meet a squad of Legionnaires (Cosmic Boy, Saturn Girl, Lightning Lad, Brainiac 5, Chameleon Boy, and Shadow Lass). After the obligatory skirmish between the two groups, they unite to work together to battle a common set of enemies, Q and Vandal Savage. The main covers for the series were done by Phil Jiminez, but the variant covers were done by legendary artists long associated with the Legion, such as Mike Grell, Keith Giffen, and Steve Lightle, among others. This has been collected as both a hardcover and a trade paperback, so it should be relatively easy to track down a copy. And while this isn’t a perfect story – and most media crossovers are not! – the Star Trek/Legion of Super-Heroes mini-series is a fun read.

Showcase Presents Green Lantern Vol. 5

greenlantern5First Published: April 2011

Contents: Green Lantern #76 (April 1970) to #87 (December 1971-January 1972) and #89 (April-May 1972); and Green Lantern/Green Arrow stories from The Flash #217 (August-September 1972) to #221 (April-May 1973), #223 (September-October 1973), #224 (November-December 1973), #226 (March-April 1974) to #228 (July-August 1974), #230 (November-December 1974), #231 (January-February 1975), #233 (May 1975), #234 (June 1975), #237 (November 1975), #238 (December 1975), #240 (March 1976) to #243 (August 1976), #245 (November 1976), and #246 (January 1977)

Key Creator Credits: Denny O’Neil, Neal Adams, Dick Dillin, Dick Giordano, Mike Grell, and others

Key First Appearances: Appa Ali Apsa, John Stewart, Itty, Jason Woodrue/Floronic Man

Story Continues From: Showcase Presents Green Lantern Vol. 4 and Showcase Presents Green Arrow Vol. 1

Overview: In early 1970, the Green Lantern title was given over to the next generation of comic book creators: Denny O’Neil and Neal Adams. O’Neal had been writing comics for a few years and was already the writer for Justice League of America and Detective Comics. Adams had been doing a lot of work in the Superman titles and had just recently finished a memorable run with Roy Thomas on the Uncanny X-Men. Together, the two joined together on what has become one of the most important story arcs in the history of comics. This is Showcase Presents Green Lantern Vol. 5.

The first move made was to bring in Green Arrow as a partner, providing a voice for social commentary within the title. Green Lantern finds himself in the doghouse with the Guardians for not heeding orders. Green Arrow challenges the Guardians, as they are losing sight of who or what they need to be doing in their role. The Guardians send one of their own, Appa Ali Apsa, to join Hal and Ollie on Earth. The three load up into a beat-up pickup truck, and head out on the road to discover America, starting off the “Hard-Travelin’ Heroes’ storyline. Along the way, Black Canary joins the guys on their adventures.

Along their journey, the heroes find a lot about America that they don’t like. The stories in this run deal with race relations, pollution, overpopulation, drugs, big government and more. While O’Neil was doing some similar type stories in the Justice League book, he was able to get into the details of the issues, using Green Lantern and Green Arrow to take opposing sides of the various arguments.

The most memorable story in this era is a two-part arc in issues #85 and #86. The heroes are discovering that drugs are becoming an epidemic across the country. They take a rather noble stand, viewing themselves as above the problem, only to discover that Green Arrow’s former sidekick, Speedy, has become a junkie. The heroes are able to get Speedy the help he needs, and they realize that the problem with drugs is not limited to one’s race, gender, or income.

The next issue features the introduction of John Stewart into the Green Lantern mythos. Hal Jordan’s backup on Earth, Guy Gardner, is severely injured, and Appa uses his powers to find a new backup. The ring takes them to Stewart, a young black architect who has a different view on the world. He agrees to serve as a backup but is rarely used again until the mid-1980s, when Hal Jordan stepped away from the Corps prior to Crisis.

Sadly, the sales for Green Lantern were struggling, and the book came to an end. The final parts of the Green Lantern/Green Arrow story were finished up as a backup in The Flash. Beginning with the story in The Flash #220, Green Lantern goes back to being a solo act and officially rejoins the Green Lantern Corps with the full use of his ring.

Why should these stories be Showcased?: Do I really need to tell you why these stories should be showcased? If there is any question in your mind, you should just go lay down for awhile and let that feeling pass. The O’Neil-Adams run collected here are some of the most powerful stories ever told, and they highlight the potential for comics to be tools for social change. I honestly believe that Neal Adams work shines brighter in black and white, giving you the opportunity to really study his art. This is a must-own arc that should be in every collection. I would not fault you in the least if you prefer to have this in color, or in a hardcover or absolute collection. Just make sure you have this in some form in your library.

Footnotes: Green Lantern #88 is a reprint issue, although it does contain a previously unpublished Alan Scott story.

Due to declining sales, the Green Lantern title came to an end with issue #89, and the Green Lantern/Green Arrow storyline became a backup feature in The Flash. However, DC brought back the Green Lantern title during the DC Explosion of the mid-1970s, picking up the numbering with #90. There was a brief four-month window where Green Lantern was featured in both the Green Lantern title and as a backup in The Flash.

If you like this volume, try: the Blackest Night story from 2009. This could very well be Geoff Johns’ best Green Lantern story, and definitely the most impactful story that he oversaw at DC to date. Johns takes the concept of the colored rings wielded by the likes of the Green Lanterns, Sinestro, and Star Sapphire, and develops entire new lines of Lanterns with red, orange, blue, indigo and even black lantern rings. Only those black lantern rings are going out to long-dead heroes and villains, raising them from the grave to seek out and kill the Green Lanterns. This story took over DC Comics throughout that year, with mini-series and crossovers to go along with the main series being told in Green Lantern and the Blackest Night mini-series. This has been collected multiple times, as a trade paperback, hardcover, and absolute. You should have no troubles tracking down this story.

Showcase Presents The Warlord Vol. 1

showcase_presents_warlord_volume_1First Published: September 2009

Contents: 1st Issue Special #8 (November 1975); and The Warlord #1 (March 1964) to #28 (December 1979)

Key Creator Credits: Mike Grell, Vince Colletta, and others

Key First Appearances: Travis Morgain/Warlord, Deimos, Tara, Machiste, Mariah Romanova, Joshua Morgan, Aram Al Ashir

Overview: Unknown to most of mankind, there is a hidden land living beneath the surface of our planet. From an opening near the North Pole, visitors can travel to the wilds of Skartaris, a deadly world where magic and science co-exist. The fighter jet flown by Air Force pilot Travis Morgan crashes through the opening into a new world. With limited supplies, Morgan must embrace his new reality and rely on his skills to survive this unforgiving land. This is Showcase Presents The Warlord Vol. 1.

Travis Morgan quickly develops a friendship with Machiste and a romantic relationship with Tara, a princess from the land of Shamballah. Travis will need all the help he can get from his friends, as he quickly develops a mortal enemy, the evil Deimos.

Outside of a quick return to the surface world, where he recruited Mariah Romanova to join his adventure, Morgan makes Skartaris his home. Because time flows at different speeds in this land that never sleeps, Morgan returns to Skartaris to find Tara has given birth to their son, Joshua Morgan.

Unfortunately, with a enemy like Deimos, no one is safe. Young Joshua is kidnapped, driving a wedge between Travis and Tara. Deimos creates a duplicate of Joshua, and ages the copy to adulthood. Controlled by Deimos, the duplicate is sent to fight Morgan, who believes he is fighting his own son. In a battle to the death, Morgan survives, but is heartbroken over the apparent demise of his son. Deimos is killed as well, but everyone knows that no good villain goes away that easily.

This volume ends with Morgan traveling through the wilds of Skartaris, seeking adventure and trying to heal his broken heart. Tara has gone her own way, unable to be with the man that killed her son. And baby Joshua is still alive, and being raised by adoptive parents. Who says everything has a happy ending?

Why should these stories be Showcased?: The sword and sorcery books, such as Conan or The Warlord, have never really appealed to me in the past. So it was a big surprise with how much I liked this collection. Grell developed a story formula that worked well for this book – 17-page stories, with pages 2 and 3 as a double-page spread. In this magical world, anything was possible to tell – battles in the mountains or at sea or in a jungle. By the time I finished this volume, I was wishing DC had a second volume available. This title may be one that I seek out the back issues to continue the story.

Footnotes: The Warlord #11 reprints the origin story from 1st Issue Special #8. The cover to issue #11 is included in this volume.

If you like this volume, try: Jon Sable, Freelance from First Comics in the 1980s. Grell has stated that Sable was a mix of James Bond and Mike Hammer, an Olympic athlete and big-game hunter who now works as a private investigator. Grell has revisited this creator-owned character from time to time with other publishers. Sable was popular enough to be developed into a short-lived television series. Beginning in 2010, IDW began issuing Jon Sable, Freelance into Omnibus editions, collecting the first 33 issues of the series across two volumes.