First Published: May 2009
Contents: Amazing Spider-Man #186 (November 1978) to #210 (November 1980); Amazing Spider-Man Annual #13 (1979) and #14 (1980); and Peter Parker, the Spectacular Spider-Man Annual #1 (1979)
Key Creator Credits: Marv Wolfman, Denny O’Neil, Keith Pollard, John Byrne, Sal Buscema, John Romita Jr., and others
Key First Appearances: Felecia Hardy/Black Cat, Deb Whitman, Calypso, Cassandra Webb/Madame Web
Story Continues From: Essential Spider-Man Vol. 8
Story Continues In: Essential Spider-Man Vol. 10
Overview: With this publishing of this post, this will be the 14th Essential that features Peter Parker as Spider-Man. I think we all know the “Great Power, Great Responsibility” origin that got Peter into the costume business. Let’s skip the recap and get right into learning about Essential Spider-Man Vol. 9.
We all know that Peter Parker is a free-lance photographer for one of New York City’s most distinguished newspapers, the Daily Globe. Wait, what’s that? What happened to the Daily Bugle? Well, once again, J. Jonah Jameson fired Peter Parker due to a missed assignment. But before he could be hired back, Peter took his services and photos over to the Daily Globe. Setting Peter up in a new newsroom gave Peter a whole new set of characters to interact with.
Speaking of new characters, Peter gets a pair of new women in his life that are stretching him in all directions. First, there is Deb Whitman, a fellow student at Empire State that has the dreamy eyes for Peter Parker. She makes a great lab partner, but she just can’t take the hint when Peter’s spider-sense starts tingling. On the opposite side, we meet Felicia Hardy, a.k.a. the Black Cat. Is she a villain? Is she a mis-understood hero at heart? What makes this romance interesting is that the Black Cat has the dreamy eyes for Spider-Man, and only Spider-Man. In fact, she finds Peter Parker to be very boring. She just wants her Spider in costume, and has a hard time respecting the secret identity that Peter does his best to maintain.
The last volume ended with a large complex Green Goblin story, so that villain goes into limbo for awhile. So we get some good appearances from Doctor Octopus, Electro, Mysterio, Mesmero, and more. And with Amazing Spider-Man still being the core title of the Marvel Universe, you can count on numerous guest appearances, such as Dazzler, the Human Fly, and the Punisher.
What makes this Essential?: Change is good, right? EMBRACE CHANGE, PEOPLE! OK, these are some of the most creative issues of Amazing Spider-Man since some guy named Stan Lee wrote the book. Not a knock on anyone that has written the book between then and now, but writer Marv Wolfman was not afraid to try new things with Peter Parker and his costumed alter-ego. New employer, new love interests, both in and out of costume. And while we are boldly moving forward in new directions, Wolfman takes us back to the very beginning, questioning why the burglar would even be wanting to invade Ben and May Parker’s home all those years ago in Amazing Fantasy #15. When Wolfman ends his two-year run on the title, he hands over the duties to Denny O’Neil, who knows a thing or two about telling a good comic story. And if you need yet another reason to pick this up, we get the start of the John Romita, Jr. run with Spider-Man, that would run through-out the early 1980s and be picked back up again in the late 1990s. You would be hard pressed to find a bad Spider-Man book that has a Romita (Sr. or Jr.) attached to it.
Footnotes: Amazing Spider-Man #201 and #202 were also reprinted in Essential Punisher Vol. 1.
Amazing Spider-Man #203 was also reprinted in Essential Dazzler Vol. 1.
Amazing Spider-Man Annual #13 and Peter Parker, the Spectacular Spider-Man Annual #1 were also reprinted in Essential Peter Parker, the Spectacular Spider-Man Vol. 2.
Amazing Spider-Man Annual #12 (1978) was not reprinted in this Essential or the previous volume. Annual #12 featured reprints of Amazing Spider-Man #119 and #120, which can be found in Essential Spider-Man Vol. 6.
If you like this volume, try: the Spider-Man: Brand New Day storyline from 2008. OK, I know that a lot of fans were not happy with how Marvel was handling the Spider-Man books in this era. The previous storyline, One More Day, magically ended the Peter and Mary Jane’s marriage, which proved to be a jumping off point for a lot of readers. Following that event, Marvel retooled the Spider-Man line of books. Sensational Spider-Man and Friendly Neighborhood Spider-Man were cancelled, and Amazing Spider-Man started coming out three times per month. Marvel formed a creative team (Dan Slott, Marc Guggenheim, Bob Gale, & Zeb Wells) to provide the direction for Peter Parker. In this new reality, Peter Parker’s identity is a secret to the world once again; he’s single, and living with his Aunt May. The Daily Bugle is struggling financially, and a new investor buys out J. Jonah Jameson and turns the paper into a tabloid. Spider-Man fights a mix of new and returning villains in these issues. Reading the Brand New Day story-arc really reminded me of the Spider-Man era reprinted in this Essential — a lot of energy in the title, mix of old and new, and willingness to take chances by changing the status quo. The Brand New Day story has been reprinted in numerous collections, so it should not be hard to track down.