Essential Warlock Vol. 1

First Published: August 2012

Contents: Marvel Premiere #1 (April 1972) and #2 (May 1972); Warlock #1 (August 1972) to #8 (October 1973); Incredible Hulk #176 (June 1974) to #178 (August 1974); Strange Tales #178 (February 1975) to #181 (August 1975); Warlock #9 (October 1975) to #15 (November 1976); Marvel Team-Up #55 (March 1977); Avengers Annual #7 (1977); and Marvel Two-in-One Annual #2 (1977)

Key Creator Credits: Roy Thomas, Gil Kane, Mike Friedrich, Bob Brown, Gerry Conway, Herb Trimpe, Jim Starlin, Steve Leialoha, and others

Key First Appearances: David Carter, Jason Grey, Ellie Roberts, Eddie Roberts, Brute, Magus, Matriarch, Autolycus, Pip the Troll, Gamora, In-Betweener, Gardener

Overview: Do you remember Him? That’s Him with an uppercase H, as in a proper name. He first appeared many moons ago in Fantastic Four #67, then was brought back for four issues in Thor. He’s an interesting guy but he needs a better name. How does Warlock sound? Even better, let’s make it Adam Warlock. This is Essential Warlock Vol. 1!

Warlock has been found by the High Evolutionary, who takes in Warlock as a new project. Embedding the Soul Gem in his forehead, Warlock is sent to Alternate-Earth (which is located on the far side of the sun from Earth in the same orbit) to become a hero for a heroless world. Warlock befriends a group of teenagers trying to find their way in the world, and that way eventually leads the group to the White House. There we find that the President is actually the Man-Beast in disguise, who is looking to take over the world.

Warlock tries to stop the Man-Beast but it can’t be done before the cancellation bug brings his book to an end. So the final battle takes place over in the pages of the Incredible Hulk. The green giant finds himself on the Alternate-Earth and encounters Warlock being held prisoner by the Man-Beast. Warlock makes the ultimate sacrifice – his own life – to stop the Man-Beast but is resurrected a few days later in a new, more powerful form.

When Warlock returns to his own title, after a quick run in Strange Tales, he starts to find a new set of friends, as well as new enemies. Now traveling the galaxy, he meets Gamora and Pip the Troll, who end up tagging along on his adventures. He also meets Magus, a would-be god in the future who just happens to be Warlock. Our hero must destroy his future self in order to save the universe of today.

Now, this collection would not be complete without mentioning Thanos, the big bad heavy of the Marvel Universe. Warlock and Thanos have been linked together for a long time, and it starts with the issues in this collection. Thanos finds that he must work with Warlock to defeat Magus’ army, but once that battle is done, they go their separate ways. Thanos hatches a new plan to rule the universe, and it takes the combined efforts of Warlock and his crew, along with Spider-Man, the Thing, Captain Mar-Vel, and the Avengers to stop Thanos for good — for now at least.

What makes this Essential?: This collection makes for an interesting look at religion. With the initial arc from Roy Thomas and Gil Kane, the writer was inspired by the then-current Jesus Christ Superstar musical. Sharing a name with the first man in the Bible, Adam Warlock is sent to Earth (albeit Alternate-Earth) to help save the people from a false prophet. During the Jim Starlin arc, Warlock must battle a future version of himself who has been set up as a god across the universe. Given the teases for Warlock in both Guardians of the Galaxy movies, I anticipate the demand for this book to increase as he joins the Marvel Cinematic Universe.

Footnotes: Incredible Hulk #176 to #178 were also reprinted in Essential Hulk Vol. 5.

Marvel Team-Up #55 was also reprinted in Essential Marvel Team-Up Vol. 3.

Avengers Annual #7 was also reprinted in Essential Avengers Vol. 8.

Marvel Two-in-One Annual #2 was also reprinted in Essential Marvel Two-in-One Vol. 2 and Essential Avengers Vol. 8.

If you like this volume, try: The Infinity Gauntlet mini-series from 1991. Written by Jim Starlin with art by George Perez and Ron Lim, Thanos has acquired all six infinity gems and mounted them onto his glove. Seeking to win the affection of Death, Thanos kills half of the galaxy, including the Fantastic Four and the X-Men. The remaining heroes are given a chance to stop Thanos, but they are unable to prevail. Transcending into a god-like being, Thanos leaves his body unprotected, and his reported granddaughter Nebula steals the glove and restores the universe to how it was before. When things have settled, the recently returned Warlock takes possession of the glove, which led into a new ongoing series titled Warlock and the Infinity Watch.

Essential Iron Man Vol. 5

Essential Iron Man Vol. 5

First Published: April 2013

Contents: Iron Man #62 (September 1973) to #75 (June 1975); and #77 (August 1975) to #87 (June 1976); and Iron Man Annual #3 (1976)

Key Creator Credits: Mike Friedrich, Bill Mantlo, Len Wein, Steve Gerber, George Tuska, Arvell Jones, Keith Pollard, Herb Trimpe, Sal Buscema, and others

Key First Appearances: Michael O’Brien, Blizzard

Story Continues From: Essential Iron Man Vol. 4

Overview: Welcome back to the fifth Essential Iron Man volume from Marvel Comics, in which our hero, Tony Stark, finally adds the one accessory to his suit that it really didn’t need – an iron nose!

This volume has several storylines that run across multiple issues at a time. Iron Man battles Doctor Spectrum from the Squadron Sinister at the Stark Industries plant in Detroit, which leads to a battle against his fellow Avenger Thor. During this battle, Happy Hogan is injured while trying to cover for Tony, and the treatment to heal him reverts Happy back to his Freak personality.

That story no sooner wraps up before Iron Man is off to southeast Asia, where he gets caught-up in a super-villain royal rumble, as the Black Lama is setting up villains to fight each other for supremacy. Enter the Yellow Claw, the Mandarin, the Unicorn, Man-Bull, Whiplash, the Melter, and others. This complex storyline, plagued by the dreaded deadline, wraps with Iron Man and Firebrand following the Black Lama to his home dimension for one last showdown. The best part of this story arc was issue #72, which found Tony grounded in San Diego for repairs, and makes a visit to the 1974 San Diego Comic Convention.

One of the minor highlights of this volume occurs around issue #73 when Stark Industries undergoes a name change to Stark International. Tony wanted to showcase the diversity of all business aspects that the company was involved in, and he wanted to put some distance between the munitions manufacturer that his company was once branded as.

What makes this Essential?: I really was not that impressed with this volume. Some decent stories, but these are not great stories. You read this volume only if you are a die-hard fan of Iron Man. But my guess is that if you are that die-hard fan of Iron Man, you might be better off owning the original issues. Some checking of online retailers shows that most of these issues are very affordable despite being 40 years old.

Footnotes:  Iron Man #76 is a reprint issue of Iron Man #9. The cover for #76 is included in this Essential. Issue #9 was collected in Essential Iron Man Vol. 2.

Iron Man Annuals (King-Size Specials) #1 & #2 and Giant-Size Iron Man #1 were all reprints of various stories from Tales of Suspense. The covers to those issues are included in this Essential.

If you like this volume, try: Iron Man: Armor Wars from the 1980s. Written by David Michelinie and Bob Layton, with art Layton, Mark Bright, and Barry Windsor-Smith, this has been collected numerous times in trade paperbacks and hardcovers. Tony Stark discovers that some of the technology used in his suits – technology that is so secret he dares not patent it – is now being used in the suits of numerous super-villains. Tony goes on an armor hunt to track down his missing technology, while at the same time updating his own armor to stay ahead of the competition. This story arc would be repeated multiple times in multiple formats, such as in comics as well as the Saturday-morning cartoon series from the 1990s.

Showcase Presents Justice League of America Vol. 5

JLA5

First Published: February 2011

Contents: Justice League of America #84 (November 1970) to #106 (July/August 1973)

Key Creator Credits: Mike Friedrich, Dick Dillin, Len Wein, Neal Adams, and others

Key First Appearances: Assemblers (Blue Jay, Silver Sorceress, Wandjina, Jack B. Quick), Merlyn, Starbreaker, Nebula Man, Kathy Sutton

Story Continues From: Showcase Presents Justice League of America Vol. 4

Story Continues In: Showcase Presents Justice League of America Vol. 6

Overview: With apologies to Hanna-Barbera, “In the great hall of the Justice League, there are assembled the world’s greatest heroes, created from the cosmic legends of the universe — Superman! Batman! Wonder Woman! Aquaman! Flash! Green Arrow! Green Lantern! Hawkman! Black Canary! Atom! To fight injustice, to right that which is wrong, and to serve all mankind!”

This volume can be broken down into two sections, based on the two writers (Mike Friedrich and Len Wein) who script all but one of the stories in this collection. We saw in the last volume that Dick Dillin took over the art duties, which began one of the longest runs of any artist on a Justice League title. Artist Neal Adams does most of the cover work in this collection, helping to set the tone for each issue before the book is even opened.

Mike Friedrich was a fresh face in the industry in the 1970s. He was a long-time letter page writer who leveraged his ongoing correspondence with editor Julie Schwartz to start selling short stories and fill-in stories. Justice League of America was Friedrich’s first ongoing assignment for DC. His stories tended to stay in the formula long-established by Gardner Fox and then Denny O’Neil and utilized the roster put in place by O’Neil. Friedrich did make some addition to the cast of characters in the DC Universe. In his second JLA issue, he introduced the Assemblers, a group of heroes that seemed to resemble Marvel’s Avengers. (Call it an homage, seeing that Marvel had already introduced in the pages of the Avengers the Squadron Sinister/Supreme, which those characters were an homage back to the Justice League.) He also introduced the villain archer Merlyn, who would be a minor character for many years until being brought to the forefront with the Arrow TV show in the last few years.

The addition of Wein takes the title to new heights. Beginning with issue #100, he starts a three-part JLA-JSA team-up that also brings back the legendary Seven Soldiers of Victory, who have been trapped in limbo for years. The heroes are revived, but not before a hero makes a final sacrifice. How do you follow that epic? Easily, you send the Justice League to Rutland, Vermont, for the annual Halloween parade. For good measure, Len Wein writes himself, along with his wife Glynis and future JLA writers Gerry Conway and Steve Englehart, into the story. If Rutland sounds familiar, it became a nexus between comic book companies in the 1970s. (Check out my write-up for Essential Avengers Vol. 4 for more details.)

As with previous volumes, one of the highlights is seeing the new members elected into the JLA. Towards the end of this volume, we see the Elongated Man, a long-time friend of the Flash, and the Red Tornado, re-assembled and now living on Earth-1, join the league. There was one other vote in this collection, as the heroes debated and finally agreed to offer a spot to the Phantom Stranger, who makes his first appearance in this title. Only the Phantom Stranger didn’t stick around to hear the results of the vote. The Phantom Stranger would make numerous appearances in the title in the years to come, helping the League out of a tough situation or by just providing ominous warnings.

Why should these stories be Showcased?: This is a hodge-podge collection of issues, but it really does work. I think it is in this era, particularly when writer Len Wein takes over, that the full potential of this title takes hold, and this truly does feel like a book worthy of the plug, “World’s Greatest Super-Heroes!” Everything that you want to see in a JLA collection is here – new members joining the team, new villains being introduced, and multiple JLA-JSA team-ups. We also get to the point in the series where it stops being a collection of one-and-done stories, and there is more of an ongoing narrative that continues from issue to issue.

Footnotes: Justice League of America #85 and #93 are Giant-size reprint issues. collecting previously published stories. The covers for these two issues are in this volume.

Justice League of America #91 and #92 are also reprinted in Showcase Presents Robin Vol. 1.

Justice League of America #103 is also reprinted in Showcase Presents The Phantom Stranger Vol. 2.

If you like this volume, try: JLA/JSA: Virtue and Vice original graphic novel from 2002. Released in late 2002, writers David Goyer and Geoff Johns (who were then writing the monthly JSA book) craft a fresh story bringing the two legendary teams together for the first time in the modern age. (Remember, the JLA-JSA team-up tradition came to an end with Crisis!). Artists Carlos Pacheco and Jesus Merino make the characters jump out from the page, truly capturing the individual personalities of each of the characters. The two teams have gathered together for a Thanksgiving dinner, but suddenly find many of their teammates possessed by the embodiments of the Seven Deadly Sins. The unaffected members of the two teams must work together to free their friends as well as figure out who is the true foe they are going up against. This was originally released as a hardcover book, and the softcover edition came out the following year. The complete story was recently included in JSA Omnibus Vol. 1, which came out in 2014.

Essential Werewolf By Night Vol. 1

werewolf1First Published: October 2005

Contents: Marvel Spotlight #2 (February 1972) to #4 (June 1972); Werewolf by Night #1 (September 1972) to #21 (June 1979); Tomb of Dracula #18 (March 1974); Giant-Size Creatures #1 (July 1974); and Marvel Team-Up #12 (August 1973)

Key Creator Credits: Roy Thomas, Gerry Conway, Mike Friedrich, Doug Moench, Len Wein, Marv Wolfman, Mike Ploog, Gene Colan, Gil Kane, Tom Sutton, and others

Key First Appearances: Jack Russell/Werewolf, Lissa Russell, Phillip Russell, Buck Cowan, Tatterdemalion, Raymond Coker, Topaz, Tigra,

Story Continues In: Essential Werewolf By Night Vol. 2

Overview: Jack Russell is your typical teenage boy growing up in southern California in the 1970s. He’s just turned 18, he can’t stand his stepfather, and his mom is always nagging him about something. But turning 18 brings on a change to Jack Russell, as he finds out that he carries a recessive trait thanks to his birth father, who he never really knew. Turns out dear old dad was also a lycanthrope, and now Jack is too. Not familiar with the lycanthrope term? Let me save you the time of looking it up and clue you in on the more common term – a werewolf! This is Essential Werewolf By Night Vol. 1.

So now at the start of each full moon, Jack Russell undergoes a transformation into a werewolf. He retains very little of Jack’s memories and values, reverting more to a wild animal looking for the hunt and trying to escape the city for the forest. For three days, Jack must worry about the setting of the sun and the rise of the moon, when his transformation kicks in. He’s constantly looking for a cure and often falls into traps because someone offers him the solution to his monthly hairy situation.

I think we can all agree that being a werewolf is not the easiest of curses to deal with. For starters, you go through a lot of shirts – good thing you live in SoCal as the weather generally works in your favor. You try to protect your family members, like your sister. When people realize your secret, they create schemes or plans to make that work for their own personal gain.

Many of these issues are one-and-done, or they might have a story that carries across three issues with each issue covering one night of the current full moon. Right or wrong, there are a lot of foes or characters that only appear once or twice, and never appear again in any other comic.

Now, just because he is based in California doesn’t mean that he is isolated from the Marvel Universe. A trip to Europe in search of clues about his birth father leads to an encounter with Dracula in a memorable crossover between the respective books. Back in California, he meets up with Greer Nelson as she becomes Tigra for the first time. And in the craziest of meet-ups, the Werewolf meets up with Spider-Man in San Francisco, after Peter Parker is sent to the west coast to get pictures of Daredevil and Black Widow.

What makes this Essential?: There were parts of this collection that I really enjoyed. Reading individual issues were good, but reading these issues back-to-back seems to fall apart. The problem I had is that Jack Russell’s condition is triggered by the full moon, which runs for roughly three nights every 28 days, give or take. So as I am reading this, I’m curious to find out what is going on in the 3 1/2 weeks between the end of one transformation period and the start of the next transformation period. (I had this same problem with Showcase Presents Martian Manhunter Vol. 2 when he was fighting a villain that would only appear at the start of a full moon.) If I had been reading this month-to-month, I think I would have appreciated the title more. But reading this as a complete collection, I think it doesn’t hold up.

Footnotes: Werewolf By Night #15 and Tomb of Dracula #18 were also reprinted in Essential Tomb of Dracula Vol. 1.

Marvel Team-Up #1 was also reprinted in Essential Marvel Team-Up Vol. 1.

Giant-Size Creatures #12 featured the first appearance of Greer Nelson as Tigra. However, Greer’s first appearance in comics was in The Cat #1 (November 1972). In this short-lived series, Nelson and another woman were part of an experiment to imbue them with cat-like abilities. Greer used her abilities for good, while the other woman used hers for bad. Guess how that worked itself out? Anyway, in the Giant-Size Creatures issue, we Greer transformed yet again, this time into Tigra. Somewhere along the lines, Greer’s original Cat costume was left in the care of the Avengers. It was later claimed by Patsy Walker, who went briefly by the name of the Cat as well before settling on Hellcat.

If you like this volume, try: the Fables series from DC/Vertigo and created by Bill Willingham. The basic concept of the series is that the fables we are told as kids to teach us morals and values are all true. The characters are real and still alive. In fact, they have migrated from the Old Lands and have set up residence in Fabletown, a hidden neighborhood in New York City. In addition, there is a farm in upstate New York to host the animal characters from the fables. One of the main characters from the series is Bigby Wolf, the Big Bad Wolf from ‘Little Red Riding Hood’ or ‘The Three Little Pigs’ fame. Bigby Wolf serves as the sheriff of Fabletown, and can switch back and forth between his human, werewolf, and wolf forms. This series ran for 150 issues and is easily found in trade paperbacks and hardcovers.

Showcase Presents Green Lantern Vol. 4

Showcase Presents Green Lantern Vol. 4

First Published: June 2009

Contents: Green Lantern #60 (April 1968) to #75 (March 1970)

Key Creator Credits: John Broome, Gil Kane, Sid Greene, Gardner Fox, Jack Sparling, Mike Sekowsky, Mike Friedrich, and others

Key First Appearances: Olivia Reynolds

Story Continues From: Showcase Presents Green Lantern Vol. 3

Story Continues In: Showcase Presents Green Lantern Vol. 5

Overview: Welcome to the end of the Silver Age! It’s been a turbulent age, and times are tough. Former jet test pilots are out of work and forced to take jobs as insurance adjusters or traveling toy salesmen. For a guy with one of the most powerful devices in the universe, Hal Jordan’s life sure seems dark at times. This is Showcase Presents Green Lantern Vol. 4.

Green Lantern is at an interesting crossroads during this time period. The stories in this era fulfill the primary obligation of getting a monthly book out on time. (And I say monthly, but most DC books in this era came out eight times a year, not 12.) But the there wasn’t any kind of ongoing story from issue to issue. In fact, the creative teams seemed to change quite a bit from issue to issue. You might get a Broome/Kane issue one month, and a Fox/Sekowsky issue the next.

We also face a lack of new characters being introduced in this volume. Instead, most of the stories have Hal Jordan arriving in a location, dealing with the problem of the month, and then moving on. As this volume draws to a close, we finally get a return of some familiar faces with Carol Ferris and Tom Kalmaku, while Sinestro drops in to wreck havoc on the reunion.

Why should these stories be Showcased?: I don’t know that I can strongly recommend this volume. Hear me out on this one. The art is incredible as always. I’ve said before that any issues by Gil Kane can give you a proper lesson on comic-book storytelling. The stories themselves are decent, but I don’t know that any of them were memorable. The biggest issue I have with this volume is just that — the issues. This collection only has 16 issues, coming in at just under 400 pages. Yet it still carried the standard cover price of $16.99, the going rate for Showcase Presents volumes at that time in 2009. Now, I get why DC truncated this volume as they did. The first issue of Showcase Presents Green Lantern Vol. 5 is #76, which starts the legendary O’Neil/Adams run that ushered in the Bronze Age at DC Comics. DC wanted to get all of those stories in one collection. But if you are going to do that, then either find additional material to put into Vol. 4 or adjust the price down to compensate for the lower page count.

If you like this volume, try: the Sinestro Corps War from 2007. Inspired by an Alan Moore story from 1986, writer Geoff Johns brought together several story threads that had been building for two years in the pages of Green Lantern and Green Lantern Corps. Longtime Green Lantern foe Sinestro has put together his own corps of yellow lantern wielders. Over the course of the series, the Guardians reveal the legend of the Blackest Night, which set the stage for the future story arc, and even referenced the five other color rings that would play a part in that storyline. The Sinestro Corps War has been collected multiple times in multiple formats, so it should be easy to track down.

Essential Iron Man Vol. 4

Essential Iron Man Vol. 4

First Published: April 2010

Contents: Iron Man #39 (July 1971) to #61 (August 1973)

Key Creator Credits: Gerry Conway, Gary Friedrich, Mike Friedrich, Steve Gerber, Jim Starlin, and George Tuska

Key First Appearances: Guardsman, Moondragon (as Madame MacEvil), Blood Brothers, Thanos, Drax the Destroyer, Chronos, ISAAC, Mentor, Eros/Starfox

Story Continues From: Essential Iron Man Vol. 3

Story Continues In: Essential Iron Man Vol. 5

Overview: You would think that Tony Stark would have things easy by now. His company, Stark Industries, is doing well; Tony’s heart is getting stronger thanks to a pacemaker; his love interest Marianne Rodgers, really digs his thoughts; and his Iron Man armor has never been better. Life’s good, right? Um, not so much….

Tony Stark/Iron Man faces a variety of challenges – at home, in the corporate boardroom, and on the battlefield. Stark finds that with his heart healing, he can commit to a long-term relationship with Marianne, and proposes to her. However, Marianne has E.S.P. powers that constantly foretell of dangers that Iron Man will face. She can’t bear the thought of Tony dying, and stumbles down the path to insanity. Tony breaks off the engagement, as he finds that his role as Iron Man once again gets in the way of living a normal life.

At Stark Industries, Tony is facing a takeover battle by Simon Gilbert, the chairman of the board. Gilbert uses his sway to have Kevin O’Brien don the Guardsman armor, which corrupts his thinking. The Guardsman becomes a pawn for Gilbert to use against Stark. When the takeover bid fails, Gilbert takes matters into his own hands by planting a bomb in one of Stark’s construction plants. His hubris gets in the way, and Gilbert is killed in the explosion.

While in the armor, Iron Man faces a variety of foes, some familiar and some new. No book would be complete without an appearance by the Mandarin. He sneaks into the picture as Gene Kahn (think about it!), a labor organizer trying to create unions at Stark’s facilities. Firebrand returns and the revelation of his parentage explodes across the pages. And in the midst of everything, a new villain is introduced that would have far-reaching effects on the Marvel Universe as Iron Man is caught up in a fight between Drax the Destroyer and Thanos!

What makes this Essential?: Issue #55 (first appearance of Thanos) is what makes this volume of stories Essential. However, the stories preceding and following this issue seem small in comparison. You could get this volume as a cheap way to read this issue. There are other reprint collections which feature issue #55, in color, for close to the same price. Pick up one of those volumes. Get this only if you are a die-hard Iron Man fan. Even that might be a waste of money, but not as much a waste as Iron Man installing roller skates in his boots — see issue #56.

Footnotes:  While Iron Man #55 is considered to be the first appearance of Thanos, he does not truly appear in this issue. The Thanos we see is a robot, and other appearances are in flashback. The first full appearance of Thanos is Captain Marvel #27.

Iron Man #55 was also reprinted in Essential Captain Marvel Vol. #2.

If you like this volume, try: the Thanos Rising story by Jason Aaron and Simone Bianchi. I realize that I am quickly making this review into Essential Thanos Vol. 1, but bear with me. Thanos has become a major player in the Marvel Universe, and now the Marvel Cinematic Universe. With the interest in the character, Aaron and Bianchi visit the origins of the demigod, explaining his childhood and how he came to power. Both creators are at their artistic peaks with this storyline, making the reader feel compassion for what is one of the most-evil villains in the Marvel library.

Essential Marvel Horror Vol. 2

Essential Marvel Horror Vol. 2

First Published: November 2008

Contents: Supernatural Thrillers #5 (August 1973), and #7 (June 1974) to #15 (October 1975); Brother Voodoo introduction from Tales of the Zombie #2 (October 1973), #6 (July 1974), and #10 (March 1975); Strange Tales #169 (September 1973) to #174 (June 1974), #176 (October 1974) and #177 (December 1974); Marvel Team-Up #24 (August 1974); Haunt of Horror #2 (July 1974) to #5 (January 1975); Monsters Unleashed #11 (April 1975); Marvel Two-In-One #11 (September 1975), #18 (August 1976), and #33 (November 1977); Marvel Chillers #1 (October 1975) and #2 (December 1975); Dead of Night #11 (August 1975); and Marvel Spotlight #26 (February 1976)

Key Creator Credits: Steve Gerber, Tony Isabella, Len Wein, Doug Moench, Mike Friedrich, Bill Mantlo, John Warner, Scott Edelman, Val Mayerik, Gene Colan, Tony Dezuniga, Sonny Trinidad, Billy Graham, and others

Key First Appearances: Living Mummy, Elementals (Hellfire, Hydron, Magnum, Zephyr), Asp, Jericho Drumm/Brother Voodoo, Daniel Drumm, Damballah, Black Talon, Gabriel/Devil-Hunter, Modred the Mystic, Chthon, Scarecrow (Straw Man)

Story Continues From: Essential Marvel Horror Vol. 1

Overview: Welcome back to more marvelous debuts of characters from the horror-themed titles of the 1970s. This volume features the first appearances of six characters of varying degrees of success.

  • First up is the Living Mummy. Awakened after 3,000 years, the Living Mummy finds himself adapting to the world of 1973, whether in the streets of New York City or in the deserts of Egypt.
  • Next up is Brother Voodoo, perhaps the most successful of the characters featured in this collection. Jericho Drumm returns to his home in Haiti. Caught up in a spiritual war, Drumm learns the secrets of the Loa and becomes Brother Voodoo. With the spirit of his deceased brother Daniel living in him, Brother Voodoo challenges zombies, ghosts, vampires, and villains.
  • Gabriel, Devil Hunter comes to us from the pages of the horror magazines. With one good eye, the former priest conducts exorcisms to draw out the demons inhabiting innocent souls.
  • Golem hearkens back to Jewish folklore, as a clay figure comes to life, powered by love. The Marvel Comics’ Golem has very few appearances. (If you are interested in reading a great story about a Golem, check out Michael Chabon’s The Amazing Adventures of Kavalier & Clay, which won a Pulitzer Prize in 2001.)
  • Modred the Mystic comes to us from King Arthur’s court. Modred was to become an apprentice to Merlin, but that tended to be red-shirt situation, if you catch my drift. He embarks on a path to explore the Darkhold, which casts him into suspended animation until he is revived in the 1970s.
  • Finally, the Scarecrow jumps out of a portrait to battle demons. (When he appeared later, he was renamed as Straw Man, to differentiate himself from the Silver Age villain known as Scarecrow.) I really want to write more about him, but there is not a lot to work with here.

What makes this Essential?: This is a book that can go either way — it’s a must-own book or it’s a do not own book. It’s all dependent on your personal tastes. I found that the Living Mummy and the Brother Voodoo stories worked the best, as we were given multiple issues to really dive into the characters. The other four characters each get 3-5 issues, which in most cases is not enough to really get a solid or favorable position on the character.

Personally, I might have preferred seeing more established Marvel Universe characters in this volume. For example, Greer Nelson debuted in the pages of The Cat in 1972. In 1974, she became Tigra in Giant-Size Creatures #1, followed up by a run in Marvel Chillers. She would later have stints in Fantastic Four and The Avengers (see the later Essential volumes of those titles), and has remained a fairly active character in the Marvel Universe since her introduction. This would have been a perfect showcase (pardon the use) for a female character, in a volume that is very male-centric to begin with. 

If any of the six featured characters interest you, then pick it up. If these characters do not interest you, stay far away from this book.

Footnotes: Marvel Two-in-One #11 and #18 were also reprinted in Essential Marvel Two-in-One Vol. 1.

Marvel Two-in-One #33 was also reprinted in Essential Marvel Two-in-One Vol. 2 and Essential Spider-Woman Vol. 1.

Marvel Team-Up #24 was also reprinted in Essential Marvel Team-Up Vol. 1.

If you like this volume, try: the 1980s Elementals series from Comico. The idea of characters with powers representing the basic elements is nothing new in comics. The argument could be made that the Fantastic Four is the best representation of this concept. In the Living Mummy stories in this collection, we see an actual team of adversaries called the Elementals. Over at DC Comics, a team of Elementals was introduced (but never used again) in the pages of Super Friends – see Showcase Presents Super Friends Vol. 1. But the greatest use of the concept came in 1984 at Comico, when Elementals #1 hit the comic book racks. The four characters that would comprise the Elementals (Vortex, Morningstar, Fathom, and Monolith) actually made their debut in the Justice Machine Annual #1 from 1983.  The basic set-up for Elementals is that the four element spirits find physical hosts (who have each recently died in that element) to help bring balance back to the universe due to the actions of the evil sorcerer Lord Saker. The book was written and drawn by Bill Willingham, many years before he became the grand storyteller of the Fables series. This is a really great series that sadly is not easily available today. Comico went through ownership changes and bankruptcy courts, and these characters have remained in limbo since the late 1990s. Comico released a trade paperback in 1988 collecting the initial story arc, but again, that is more than 25 years ago and its no longer in print. You might have to go to eBay or a really good back issue dealer to find these comics, but it’s well worth the hunt.