May 7, 2018 by jerrymcmullen - 0 comments

Essential Captain Marvel Vol. 2

First Published: March 2013

Contents: Captain Marvel #22 (September 1972) to #35 (November 1974), and #37 (March 1975) to #46 (September 1976); Iron Man #55 (February 1973); and Marvel Feature #12 (November 1973)

Key Creator Credits: Gerry Conway, Marv Wolfman, Mike Friedrich, Jim Starlin, Steve Englehart, Al Milgrom, Chris Claremont, Wayne Boring, Alfredo Alcala, and others

Key First Appearances: Lou-Ann Savannah, Thanos, Drax the Destroyer, ISAAC, Chronos, Mentor, Starfox, Blood Brothers, Eon

Story Continues From: Essential Captain Marvel Vol. 1

Overview: Mar-Vell! An alien warrior of the ancient Kree race, linked by destiny for some strange, inexplicable reason with Rick Jones, a youth in whose mined rests the power to save the universe… or destroy it. This is Essential Captain Marvel Vol. 2.

Following the events of the Kree-Skrull War (see Essential Avengers Vol. 4), the Captain Marvel title returns to the newsstands after a two-year hiatus. Captain Marvel now has a sidekick of sorts, with pal to the heroes Rick Jones. Now wearing the Nega Bands, Mar-Vell and Rick exchange places with each other between Earth and the Negative Zone. The length of time that one can spend in the Negative Zone tends to vary from issue to issue. Regardless, spending time away from Earth is really putting a crimp in Rick Jones’ dating life (sorry Lou-Ann!) and his budding music career.

After a couple of issues, Jim Starlin takes over the book and the book just explodes in greatness. Captain Marvel (and Rick) head off to space, where they are fighting to stop Thanos from capturing the Cosmic Cube. But before they can get to Thanos, they must face off against the likes of the Blood Brothers, the Super Skrull, and the Controller. And let’s not forget that the Supreme Intelligence still takes great pleasure in trying to make things difficult for the Kree’s wayward son.

Eventually, Captain Marvel and Rick find a way to extract themselves from the constraints of the Nega Bands. As much as they are tired of being linked to each other, they find that they still need each other and choose to remain as travel companions across the galaxy.

What makes this Essential?: This collection is way more interesting than the first volume. Captain Mar-Vell really comes alive when Jim Starlin comes on board as the writer and penciller. Transforming the character from a stranger on a strange world into a cosmic entity that can hold his own with the most powerful beings in the universe makes him much more interesting. And giving him a main enemy to be fighting against rounds out the character and provides an even better reason to keep reading.

Footnotes: Captain Marvel #36 is a reprint of Marvel Super-Heroes #12, the first appearance of Captain Mar-Vell. That issue can be found in Essential Captain Marvel Vol. 1. The new cover and three new framing pages are included in this Essential.

Iron Man #55 is also reprinted in Essential Iron Man Vol. 4.

Marvel Feature #12 is also reprinted in Essential Marvel Two-in-One Vol. 1.

Captain Marvel #33 is also reprinted in Essential Avengers Vol. 6.

If you like this volume, try: The Thanos Quest mini-series from Jim Starlin and Ron Lim from 1990. Given the incredible success of Avengers: Infinity War, everyone is trying to get the back-story on Thanos. Once we get past the Captain Marvel run, Thanos is barely used in the 1980s, usually only in flashback. It’s not until the early 1990s, when Starlin returns to Marvel, that Thanos’ story resumes. In an effort to win the love of Death, Thanos seeks out the Elders of the Universe, who each happens to possess one of the Infinity Gems. If Thanos can acquire all six gems, he can wield the gauntlet and destroy half of the universe. This is an intriguing look into the character, and at times makes him more human. The original issues are quite pricey in the back issue market, so you may want to opt for a trade collection or as a digital read to find these two issues.

December 11, 2017 by jerrymcmullen - 2 Comments

Essential Tomb of Dracula Vol. 2

First Published: April 2004

Contents: The Tomb of Dracula #26 (November 1974) to #49 (October 1976); Giant-Size Dracula #2 (September 1974) to #5 (June 1975); and Doctor Strange #14 (May 1976)

Key Creator Credits: Marv Wolfman, Gene Colan, Tom Palmer, Chris Claremont, Don Heck, David Kraft, Steve Englehart, and others

Key First Appearances: Harold H. Harold, Aurora Rabinowitz, Domini, Anton Lupeski

Story Continues From: Essential Tomb of Dracula Vol. 1

Story Continues In: Essential Tomb of Dracula Vol. 3

Overview: Dracula is dead! Love live Dracula!

Welcome back to The Tomb of Dracula, the legendary run by Marv Wolfman, Gene Colan and Tom Palmer. Having worked on the title for more than a year, the creative team have found their stride with the title, putting together some of the best stories in the run of the series.

Picking up where things left off in the last collection, Dracula is believed to be dead, which leads his pursuers to go their separate ways. Taj returns tot India, where we discover that his wife is crippled and his own son is a vampire. Frank travels to Brazil, where he encounters zombies and the mysterious Brother Voodoo.

Meanwhile, Dracula realizes that this powers are waning, and must track down the reason for his condition. Following the clues, he travels across to Europe, taking on assignments to move him forward in his weakened condition. Eventually, the clues point him to America and Dr. Sun, who apparently did not die in their last battle seen in Volume 1.

Dracula crosses the Atlantic to America, where he sets up his operations in Boston. There, he meets a new ally in Harold H. Harold, a would-be writer of vampire tales. Harold hopes to leverage his friendship as a source for new stories. Dracula revives long enough to confront Dr. Sun, only to be killed by a henchman.

As can be expected, there is no quiet way for a vampire to travel, and eventually Quincy Harker and his team are back on Dracula’s trail, following him to America. Realizing how strong Dr. Sun has become, the vampire hunters conclude that the enemy of my enemy is my friend, and bring Dracula back to life to help them in their battle. Dr. Sun is eventually defeated and Dracula regains his powers.

Following a meeting between Dracula and Doctor Strange, the vampire turns his attention to establishing a base of power in America. He joins up with the Church of the Damned in Boston. He meets Domini, a beautiful woman who has given herself over to the church, and decides to take her as his new bride. Dracula plans on siring a new child, with the goal of taking over the church to expand his reach. Unfortunately, the church has plans to use the offspring to take down Dracula once and for all.

What makes this Essential?: Wolfman, Colan and Palmer reach their peak with this collection. The stories and art are more solid than the previous and next volumes. Dracula finally feels like a threat, yet he remains a character you want to see succeed in his actions. I like setting the stories in America, as it gives the entire team a more comfortable environment in which to tell the stories.

Footnotes: Doctor Strange #14 and Tomb of Dracula #44 and #45 are also reprinted in Essential Doctor Strange Vol. 3.

Several issues in this Essential make reference to the events in Dracula Lives, a black-and-white magazine that ran for 13 issues. Those magazines are collected in Essential Tomb of Dracula Vol. 4.

If you like this volume, try: the Doctor Strange vs. Dracula trade paperback from 2006. Yes, it does reprint the crossover already collected in this Essential, but it also includes a five-part story from Doctor Strange #58 to #62 from 1983. In this story arc by Roger Stern and Dan Green, the two title characters are searching for the Darkhold, a book with untold secrets. One of those secrets can bring an end to all vampires on Earth. Dracula and Doctor Strange go back-and-forth in their quest to claim the book, which also brings in Blade and the Avengers.

January 4, 2016 by jerrymcmullen - 1 Comment

Showcase Presents DC Comics Presents: The Superman Team-Ups Vol. 1

First Published: November 2009

Contents: DC Comics Presents #1 (July-August 1978) to #26 (October 1980)

Key Creator Credits: Martin Pasko, Len Wein, Gerry Conway, Paul Levitz, Steve Englehart, Denny O’Neil, Cary Bates, Jose Luis Garcia-Lopez, Murphy Anderson, Dick Dillin, Joe Staton, and others

Story Continues In: Showcase Presents DC Comics Presents: The Superman Team-Ups Vol. 2

Overview: Comics, like any other medium, loves to duplicate a success. Imitation is the sincerest form of flattery, or so I’ve been told. If Company A has a character selling well, then Company B will create a similar character. (Or in more modern times, if Company A has a best-selling character in one book, then that character will soon be featured in two or more books.)

So it should come as no surprise in the late 1970s that DC Comics introduced DC Comics Presents, a team-up book that would be anchored by Superman. DC had found success by focusing on Batman in the pages of The Brave and the Bold. Heck, World’s Finest Comics was a Batman-Superman team-up book. Over at the distinguished competition, Marvel doubled it up with two team-up books featuring Spider-Man (primarily) and the Thing. I guess the only question to ask here would be why it took DC so long to get this book started? While I haven’t found a definitive answer to that, I’m sure that the then upcoming release of Superman: The Movie might have prompted DC to get another Superman title on the newsstands.

DC Comics Presents brought in a lot of the creative talent that helped shape DC Comics in the 1970s. The title found a cast of regular co-hosts (mostly fellow members of the Justice League) that would cycle in and out frequently over the course of the run of the book. Perhaps in a nod to the quirky stories Bob Haney would deliver over in The Brave and the Bold, we do get the one issue in this collection where Superman is blasted back in time to World War II, where he teams up with Sgt. Rock and Easy Company. As with any team-up book, the premise that would bring the characters together was sketchy a lot of times. In this era, the norm was 17-page stories, so many of these are quick reads.

Why should these stories be Showcased?: I’ve said for years that team-up books should be required reading for all comic book fans. But I would recommend starting with the other books of this era first, such as The Brave and the Bold, Marvel Two-in-One, and Marvel Team-Up. This title always seemed to me unnecessary – given how powerful Superman was in this era, why does he need the help of <guest star of the month> to solve the particular problem for that issue? I have this same issue with Superman in the Justice League of America title in this age, too. The team-ups can be a lot of fun, but the premise of the stories are generally weak.

Footnotes: DC Comics Presents #26 is one of the issues from this series most in-demand in the back issue market, but with nothing to do with the Superman story. In this era, DC started placing 16-page previews of upcoming titles in various books. In this issue, a preview of The New Teen Titans #1 by Marv Wolfman and George Perez. This serves as the first appearances for Cyborg, Raven, and Starfire, so it has stayed in demand for many years with collectors.

Who’s Who:
#1 – Superman & Flash
#2 – Superman & Flash
#3 – Superman & Adam Strange
#4 – Superman & Metal Men
#5 – Superman & Aquaman
#6 – Superman & Green Lantern
#7 – Superman & Red Tornado
#8 – Superman & Swamp Thing
#9 – Superman & Wonder Woman
#10 – Superman & Sgt. Rock
#11 – Superman & Hawkman
#12 – Superman & Mister Miracle
#13 – Superman & Legion of Super-Heroes
#14 – Superman & Superboy
#15 – Superman & Atom
#16 – Superman & Black Lightning
#17 – Superman & Firestorm
#18 – Superman & Zatanna
#19 – Superman & Batgirl
#20 – Superman & Green Arrow
#21 – Superman & Elongated Man
#22 – Superman & Captain Comet
#23 – Superman & Doctor Fate
#24 – Superman & Deadman
#25 – Superman & Phantom Stranger
#26 – Superman & Green Lantern

If you like this volume, try: Action Comics #584 to #600 from 1987 and 1988. Following Crisis on Multiple Earths, DC brought in fan favorite John Byrne to reinvent Superman for the new DC Universe. Following the initial Man of Steel mini-series that gave us the back history of Clark Kent and Superman, the books returned to a normal monthly publishing schedule. In Action Comics, this became a team-up book, with various heroes meeting up with Superman. Done by Byrne, there are a lot of fun match-ups that stand out from this run. While there is not just one collected edition for these issues, there is a series of eight trades, Superman: The Man of Steel, that collect all of the Superman stories from this time in publishing order. Alternatively, the individual issues can be generally found in discount bins at shows or local comic shops, so that might be a fun run to hunt down on your own.

May 23, 2015 by jerrymcmullen - 5 Comments

Essential Classic X-Men Vol. 3

First Published: February 2009

Contents: The X-Men #54 (March 1969) to #66 (March 1970); Amazing Spider-Man #92 (January 1971); Incredible Hulk #150 (April 1972) and #161 (March 1973); the Beast stories from Amazing Adventures #11 (March 1972) to #17 (March 1973); and Marvel Team-Up #4 (September 1972)

Key Creator Credits: Roy Thomas, Werner Roth, Arnold Drake, Don Heck, Neal Adams, Tom Palmer, Steve Englehart, Tom Sutton, Herb Trimpe, and others

Key First Appearances: Living Monolith, Lawrence Trask, Karl Lykos/Sauron, Savage Land Mutates (Amphibius, Barbarus, Brainchild, Equilibrius, Gaza, Lorelei, Lupo, Piper), Shiro Y0shida/Sunfire

Story Continues From: Essential Classic X-Men Vol. 2

Story Continues In: Essential X-Men Vol. 1

Overview: Here we go, readers! It’s the final adventures of the original X-Men as members of Xavier’s School for Gifted Youngsters. Cyclops, Marvel Girl, Angel, Beast, Iceman, Havok, and now Polaris go on a non-stop run of adventures that take them from the sands of Egypt to the jungles of the Savage Land to the bright lights of the Las Vegas strip.

The highlight of this collection is the Roy Thomas and Neal Adams all-to-brief run on the title. Adams had been doing work for DC for about two years when he came over to do some work at Marvel. (At that time, creators generally worked for just one company at a time. If someone did work for more than one publisher, one of their jobs would be done under a pseudonym.) At the time that he came onboard with X-Men #56, the book was floundering in the sales column. Adams came in and helped plot a wild adventure ride, introducing new threats to the mutants.

While this is the most creative peak in the title’s seven-year run, it could not stop the cancellation ax. The final issue with original content was X-Men #66. Beginning with issue #67, the title ran reprints of old X-Men stories. Let this sink in for a minute. There was a time when X-Men was strictly a reprint book. It was more profitable for Marvel to re-run old stories versus commissioning new stories. Unbelievable!

Now, the title may have been in reprint mode, but the characters still existed and became free game to use in other books. So Iceman makes an appearance in Amazing Spider-Man, and Havok & Polaris show up in the pages of the Incredible Hulk.

The volume concludes with the solo adventures of Hank McCoy, who finally graduated Xavier’s school and landed a job in a Brand Corporation research lab. McCoy works on isolating the chemical cause of mutation into a liquid solution. Trying to keep his work from falling into the hands of corporate spies, McCoy swallows the formula, and his body is mutated into a furry gray Beast. (In later issues, the fur would change permanently to blue, but that’s not important for this black & white collection.) The Beast finds that he is trapped in this further-mutated body. Despite attempts to hide his mutation, Hank finally embraces his blue-furred identity. These stories are written by Steve Englehart, and he would continue the Beast’s story in the pages of The Avengers.

What makes this Essential?: In my humble opinion, this really is an essential volume to own. First, the Thomas-Adams run on this title is the first “great” story-arc in the history of the X-Men. The Sentinels are more menacing, the Savage Land is more savage, and the introduction of Sunfire opens the door for the international approach to the X-Men in the mid-1970s. In addition, by collecting the X-Men adventures in the other Marvel titles of the 1970s, it highlights how a proper Essential should be put together. The books should be reprinting the character stories, and not necessarily just within a specific title. The solo adventures of the Beast would never have been reprinted in any other Essential volume, so including them here was perfect. While some of the characters’ appearances can be found in other Essentials (see Footnotes), having these stories in one book reads so much better for the X-Men fan.

Footnotes: Amazing Spider-Man #92 is also reprinted in Essential Spider-Man Vol. 5.

Incredible Hulk #150 and #161 are also reprinted in Essential Hulk Vol. 4.

Marvel Team-Up #4 is also reprinted in Essential Marvel Team-Up Vol. 1.

Amazing Adventures #17 reprinted the origin of the Beast, originally told in backup stories from X-Men #49 to #53 (see Essential Classic X-Men Vol. 2). The cover to issue #17 and new framing pages are included in this Essential.

X-Men #67 to #93 and X-Men Annual #1 & #2 reprinted classic X-Men stories from the 1960s. New covers were created for those issues, and the covers are included in this Essential.

If you like this volume, try: the X-Men: Hidden Years series by John Byrne from 1999 to 2001. This series was designed to pick up the story of the original team following X-Men #66, the last original issue of the series. Byrne begins his story with what should be issue #67, but numbered as #1, and continues the adventures. Over the next two years, Byrne told new stories set in the Marvel Universe of the early 1970s, so the mutants encounter a Fantastic Four with Crystal subbing for Invisible Girl. We meet a young Ororo before she has her official first appearance as Storm in Giant-Size X-Men #1. The problem with this book is that it was written and drawn by John Byrne. Not that he necessarily did a bad job with either, but more that Byrne became a very polarizing figure in comics by the early 2000s. A new leadership team took over the reigns as Marvel’s Editor-in-Chief and opted to cancel the book as the X-Men universe was too convoluted and needed to be streamlined. (Note that streamlining of the X-Men books lasted for about one month.) You can read into that the cancellation was due more to personality conflicts between Byrne and management, and not due to poor sales, poor stories, or a convoluted X-Men universe. This entire series was collected in two trade paperbacks in 2012, so it should be relatively easy to track down. If you are a Byrne fan, by all means check this series out.

May 2, 2015 by jerrymcmullen - 3 Comments

Essential Avengers Vol. 7

First Published: January 2010

Contents: Avengers #141 (November 1975) to #163 (September 1977); Avengers Annual #2 (1976); and Super-Villain Team-Up #9 (December 1976)

Key Creator Credits: Steve Englehart, Gerry Conway, Jim Shooter, George Perez, Don Heck, John Buscema, Sal Buscema

Key First Appearances: Hellcat, Amphibian, Cap’n Hawk, Black Talon, Tyrak, Graviton, Jocasta

Story Continues From: Essential Avengers Vol. 6

Story Continues In: Essential Avengers Vol. 8

Overview: This Essential volume has a little bit of everything we want and love of the Avengers. Time travel story? Check! Battles in an alternate dimension? Check! Stopping a war between Namor and Dr. Doom? Check! Return of classic villains such as Kang or Ultron? Check and check! Introducing new and returning Avengers? Check and check!

The first third of the book details the Serpent Crown affair, which involved the Squadron Supreme from an alternate Earth. Bringing that case to a close, the Avengers once again find themselves in a familiar position – too many Avengers and who is going to lead the team. Avengers #150 takes a look back at Avengers #16 while the team is whittled down to a more manageable seven members.

We get the return of Wonder Man, last seen in the pages of Avengers #9. Initially shown as a zuvembie, Simon Williams eventually regains his humanity to discover that he now has a step-brother of sorts in the Vision.

The next big Avengers story was too much for just this title, as the battle between Atlantis and Latveria crossed over into Super-Villain Team-Up. Attuma is once again trying to take over Atlantis and puts plans in place to bring Namor and Dr. Doom to war with each other, figuring that the winner of that battle would be easy pickings for someone like Attuma. But no one counts on the interference by the Avengers and the Shroud.

Finally, no collection would be complete without an appearance by Ultron. Once again trying to take revenge on his father Hank Pym, Ultron decides that in order to be complete, he must create a bride to be by his side. Kidnapping the Wasp to use as a pattern, Ultron creates Jocasta, who would quickly revolt against her creator and side with the Avengers.

What makes this Essential?: With this volume (and the subsequent volumes #8 and #9), the Avengers begin a five-year upward climb that reaches a climax with issue #200. We get a core team of members (Captain America, Iron Man, Thor, Vision, Scarlet Witch, Beast, and Wonder Man) that comprise the bulk of the line-ups during this era. The story-arcs become five or six issues in length, building on clues planted issues in advance. These issues have appeal to the casual fan aware of the Avengers, as well as the seasoned fan who will recognize the classic stories and how they impact later stories to come.

Footnotes: Avengers #154 to #156, and Super-Villain Team-Up #9 were also reprinted in Essential Super-Villain Team-Up Vol. 1.

If you like this volume, try: digging through some back issue bins for a 2000 mini-series titled Avengers Two: Wonder Man and Beast. The stars of this title both (re)joined the Avengers during this Essential volume. The two characters each had insecurity issues – Beast feeling outclassed on a team with the likes of Thor, Iron Man, and Vision; and Wonder Man fearful of dying again. Whether it was planned or just developed as the story went along, the Beast and Wonder Man became best friends within the Avengers, and would often be seen hanging out together during their downtime from the team. In this three issue mini-series from Roger Stern and Mark Bagley, we see the duo reunite for one grand adventure together. Sadly, this has never been reprinted as a complete story, so you may have to do some searching for these issues.

December 31, 2014 by jerrymcmullen - 4 Comments

Essential Avengers Vol. 6

First Published: February 2008

Contents: Avengers #120 (April 1972) to #140 (October 1975); Giant-Size Avengers #1 (August 1974) to #4 (June 1975); Captain Marvel #33 (July 1974); and Fantastic Four #150 (September 1974)

Key Creator Credits: Steve Englehart, Roy Thomas, Sal Buscema, John Buscema, Bob Brown, George Tuska, and others

Key First Appearances: Nuklo, Bova

Story Continues From: Essential Avengers Vol. 5

Story Continues In: Essential Avengers Vol. 7

Overview: In preparation for this review, I consider some alternatives to make my point here. My first thought would be to increase the font size to a larger style, but I hate that when other sites do it. I CONSIDERED WRITING THIS ENTIRE REVIEW IN ALL CAPS, BUT I DON’T WANT TO COME ACROSS THAT I AM YELLING AT YOU, MY LOYAL READERS. Maybe I should attach a sound file with trumpets blaring, or I figure out a way to roll out a red carpet. See, the reason for these possible changes is to help convey just how EPIC is this collection of the Essential Avengers!

Writer Steve Englehart and friends put together a series of memorable runs over multiple issues. This really felt like a heavy hitters lineup for the team, led by Thor, Iron Man, and the Vision. In this collection, the Avengers have their first encounter with Thanos; in a crossover with the Fantastic Four, we see Quicksilver and Crystal tie the knot in a ceremony delayed by Ultron; and we discover the secret origin of the Vision, in a story that goes back to the very first issue of Marvel Comics in 1939.

The highlight of this volume is the story of Mantis. In the lead-off story where the Avengers battle Zodiac, Mantis discovers that Libra is her father. She learns that she was raised by the Priests of Pama, which takes the Avengers to Viet-Nam where they encounter the Star-Stalker. From there, long-time Avengers foe Kang kidnaps Mantis and Moondragon, as both have been identified as potential candidates to become the Celestial Madonna. That leads the Avengers to travel through time and space after their teammate. During the battle with Kang, the Swordsman is killed, and Mantis realizes that he was the love of her life and not the Vision. Mantis discovers more of her origins, and finally embraces her role as the Celestial Madonna. In a ceremony overseen by Immortus, Mantis marries a Cotati reanimating the body of Swordsman, and the couple merge and depart to space. (It should be noted that the wedding was a double ceremony, as the Vision and the Scarlet Witch finally say their “I Do’s”.)

The volume concludes as some new faces become probationary members of the team in Avengers #137. Having graduated from the X-Men and moved on to a solo career, the blue-haired Beast shows up for a series of adventures, but it won’t be until the next Essential before he earns his Avengers identification card. Also, Moondragon joins the team, making for a good consolation prize for losing out on the Celestial Madonna sweepstakes.

What makes this Essential?: This volume can best be summed up with one name – Steve Englehart. The writer had taken over writing duties on the Avengers in the previous Essential volume, and this collection sees Englehart work in all of the stories that he was really wanting to tell. He uses a core line-up of Iron Man, Thor, Vision, Scarlet Witch, and Mantis. (It should be noted that long-time Avenger Captain America was knee-deep in his own book at that time, and could only make the occasional appearance in the Avengers. By the way, Captain America and Falcon was being written by Englehart.) Mantis, a creation of Englehart and Don Heck, becomes the focus of the Celestial Madonna story in this volume. Towards the end of the run, Hank McCoy (a.k.a the Beast of the X-Men) Joins up, but this is the blue-furred Beast. Hank McCoy had undergone a further mutation in the pages of Amazing Adventures, written by — wait for it! — yes that’s right, it was Steve Englehart. So long story short, you need to be a big fan of Englehart and his epic vision for the Avengers to really appreciate this volume. I first read these stories out of order, as I picked up the back issues to fill out my Avengers collection over the years. Being able to re-read this story in order via the Essential allows me to better appreciate what Englehart did here.

Footnotes: Captain Marvel #33 is also reprinted in Essential Captain Marvel Vol. 2.

Avengers #127 and Fantastic Four #150 are also reprinted in Essential Fantastic Four Vol. 7.

If you like this volume, try: the first series of The Ultimates. Hot on the heels of the successful Ultimate Spider-Man and Ultimate X-Men, Marvel turned to Mark Millar and Bryan Hitch to develop an Ultimate version of the Avengers. Trimming the team down to it’s 1963 roster of Iron Man, Thor, Hulk, Giant Man, the Wasp, and Captain America, Millar and Hitch created an EPIC spin on the historic narrative. Yes, changes were made to make the group more contemporary – most notable is Nick Fury portrayed as an African-American that happens to look a lot like Samuel L. Jackson, long before that actor was cast in any Marvel Studios role. Conversely, The Ultimates became a template that Marvel Studios could use as they began to shape the Phase One series of movies. This initial series ran for 13 issues, albeit over two years time, and has been collected in numerous trades and hardcover collections. There have been various sequels to spin out of this, but the original story remains the best by far.

December 20, 2014 by jerrymcmullen - 2 Comments

Essential Captain America Vol. 4

First Published: January 2008

Contents: Captain America and the Falcon #157 (January 1973) to #186 (June 1975)

Key Creator Credits: Steve Englehart, Stever Gerber, Tony Isabella, Mike Friedrich, John Warner, Sal Buscema, Alan Weiss, Frank Robbins, Herb Trimpe, and others

Key First Appearances: Viper (I), Solarr, Deadly Nightshade, Helmut Zemo/Phoenix (I), Moonstone (I), Roscoe Simons/Captain America (V), Viper (II) (Madame Hydra), Nomad (Steve Rogers)

Story Continues From: Essential Captain America Vol. 3

Story Continues In: Essential Captain America Vol. 5

Overview: Just a word of warning before we get too deep into this review. You may want to take some notes along the way, because this one might get confusing. In this book, we have two Captain Americas; we have two Vipers; we have the first appearance of Phoenix, but it’s not THAT Phoenix that you are thinking about. Likewise, we meet Moonstone for the first time, but it’s not THAT Moonstone that you are thinking about. I’ll do my best to keep things clear, but your best bet might be to pick up a copy of Essential Captain America Vol. 4 and follow along with me.

Now, if you were to make a list of Captain America’s most fearsome foes, we probably would put Baron Zemo on that list. The problem there is which Baron Zemo. There’s been at least a dozen Baron Zemos. One dies, and the next crazy Zemo takes on the costume and title and rushes off to face Cap. In this volume, we meet Helmut Zemo, who works under the Phoenix identity. He won’t become Baron Zemo for another 100 issues, but we are more familiar with him as Citizen V in The Thunderbolts.

This volume is a slow build up to the Secret Empire storyline. We met the Secret Empire years ago, as an offshoot of Hydra. Remember Hydra – cut off one limb, two more rise up! So it turns out that the Secret Empire has been inserting agents into the highest offices in the United States government. And not just the highest offices, but the oval offices too, if you catch my drift. With the help of the Falcon, members of the Avengers, and the X-Men, Captain America is able to uncover and take down the Secret Empire (for now).

Following the battle with the Secret Empire, Steve Rogers finds that he is questioning everything he thought he knew. He finds that he can no longer wear the costume of Captain America, and walks away from the role. Nature abhors a vacuum, and several volunteers step up to assume the mantle of Captain America. The most notable of those was Roscoe Simons, who finds an outfit and tries to partner up with the Falcon. Unfortunately for Roscoe, the pair encounter the Red Skull, who is not happy that his most hated foe is no longer wearing the Captain America uniform. He beats Roscoe senseless, hopefully teaching him a lesson.

Meanwhile, Steve Rogers has adopted a new identity in Nomad, the man without a country. Nomad discovers the beaten Roscoe Simons, and realizes he still has a responsibility. He can represent the American people and the American spirit, even if he does not always represent the American government. Steve Rogers returns to the Captain America identity, and the hunt is on to track down the Red Skull.

What makes this Essential?: This is an intriguing collection. While I personally do not care for many of the stories here, I recognize that they are important to the history of the Marvel Universe. The Secret Empire/Nomad story came out during the Watergate era in Washington, D.C. Coupled with the Vietnam war, many people were disillusioned with the United States government. It makes complete sense that Steve Rogers would walk away from the uniform and his government. The story appealed to a lot of readers at the time, and Sal Buscema and Steve Englehart have indicated in interviews that this run put Captain America into the top ten books sold during this era. So from a historical perspective, I think this is worth reading.

Footnotes: During the Secret Empire story arc, the X-Men were working alongside Cap. During this era, the X-Men comic was reprinting issues from the 1960s. The only way readers could keep up with their favorite mutants was following their adventures in other titles, such as Captain America, Avengers, Marvel Team-Up, and the Incredible Hulk.

If you like this volume, try: Avengers Forever by Kurt Busiek, Carlos Pacheco, and Roger Stern. Originally published as a 12-issue mini-series, this is the ultimate Avengers time-travel story. Immortus is targeting Rick Jones, who uses the Destiny Force to bring Avengers from different eras to help him out. One of those Avengers is the disillusioned Captain America that we saw at the end of the Secret Empire story. This Cap is still strong enough to inspire his fellow Avengers, but he doesn’t take over the book. Captain America and the other Avengers (current day Wasp and Giant Man; a Hawkeye from right after the Kree-Skrull war; Yellowjacket post-breakdown but pre-marriage to Jan; a future Captain Marvel; and an alternate universe Songbird) go toe-to-toe with Immortus across time and space. This is an epic story that only a master storyteller like Busiek could have pulled off. This story initially came out 15 years ago, but I still pull it off of the shelf every couple of years to re-read and marvel (pun intended) at how well done this book is. You can find this in both trade paperback and hardcover, as it has stayed in print over the years.

December 13, 2014 by jerrymcmullen - 4 Comments

Essential Doctor Strange Vol. 3

First Published: December 2007

Contents: Doctor Strange #1 (June 1974) to #29 (June 1978); Doctor Strange Annual #1 (1976); and The Tomb of Dracula #44 (May 1976) and #45 (June 1976)

Key Creator Credits: Steve Englehart, Marv Wolfman, Gene Colon, Frank Brunner, Jim Starlin, Roger Stern, Tom Sutton, and others

Key First Appearances: Silver Dagger, Gaea, Domini

Story Continues From: Essential Doctor Strange Vol. 2

Story Continues In: Essential Doctor Strange Vol. 4

Overview: As a part of the Marvel Universe for over 10 years, Doctor Strange served as the co-star of Strange Tales, which was later renamed (but not renumbered) as Doctor Strange; he was the focus of attention in Marvel Feature and Marvel Premiere; and he helped found a non-team in the Defenders. But it took until 1974 for Doctor Strange to finally get what every hero craves – a #1 issue!

Having finished his run in Marvel Premiere, Doctor Strange once again got his own bi-monthly title with the same creative team of Steve Englehart and Frank Brunner. But the title really picks up when Gene Colon returns to the title with issue #6.

There are some interesting stories in this volume. Doctor Strange becomes the last man alive, as the Earth is destroyed and then replaced with an exact duplicate. Doctor Strange travels to Boston where he encounters Dracula to save Wong from becoming a vampire. And who else could defeat Doctor Strange but a Doctor Stranger. Thankfully, Doctor Strange still has friends like Clea, the Ancient One, and Nighthawk to stand by his side as he faces down these new challenges.

What makes this Essential?: I do try to be original for each one of these reviews. But I run the risk of repeating myself with this review. So, I’m still not a big fan of Doctor Strange. But the art of this volume, in particular that of Gene Colan, is simply spectacular. I think that the black & white format actually enhances the art. This volume could serve as a primer for aspiring artists looking to understand page layouts and characters forms. The stories seem rather average against the artwork – for all of the talk about current writers stretching out stories for the trades, they should read some of these stories.

Footnotes: Doctor Strange #3 contains reprints of Doctor Strange stories from Strange Tales #126 and #127, framed with new pages. These Strange Tales stories were previously reprinted in Essential Doctor Strange Vol. 1.

Doctor Strange #14 and The Tomb of Dracula #44 and #45 were also reprinted in Essential Tomb of Dracula Vol. 2.

Doctor Strange #21 is a reprint of Doctor Strange #169, which retells the origin of Doctor Strange. This story was previously reprinted in Essential Doctor Strange Vol. 2.

If you like this volume, try: exploring the works of P. Craig Russell. Serving as the artist of Doctor Strange Annual #1 in this volume was one of Russell’s earliest jobs in comics. Over the years, he has been a modern master of the art, which a very distinct look and creative layouts. Russell is known for incorporating operatic themes into his work across multiple publishers and decades. He had a memorable run with Killraven, which can be found in Essential Killraven Vol. 1. Russell’s most recent work includes a two-volume graphic novel adaptation of Neil Gaiman’s The Graveyard Book.

November 1, 2014 by jerrymcmullen - 1 Comment

Essential Silver Surfer Vol. 2

First Published: June 2007

Contents: Silver Surfer story from Epic Illustrated #1 (Spring 1980); Silver Surfer #1 (June 1982); Silver Surfer #1 (July 1987) to #18 (December 1988); Silver Surfer Annual #1 (1988); and Silver Surfer story from Marvel Fanfare #51 (June 1990)

Key Creator Credits: Stan Lee, John Buscema, John Byrne, Steve Englehart, Marshall Rogers, Joe Staton, Ron Lim, and others

Key First Appearances: Contemplator, Nenora, Captain Reptyl, Clumsy Foulup. S’Byll

Story Continues From: Essential Silver Surfer Vol. 1

Overview: Free at last, free at last! The Silver Surfer is free of Earth, and spanning the galaxy in Essential Silver Surfer Vol. 2. Sit back and enjoy the ride, as our cosmic-powered hero finally goes cosmic.

Back when the Silver Surfer first appeared, he was a herald of Galactus, but rebelled against his master to protect Earth. As a result, he was punished to live out his days on Earth, inside an invisible barrier Galactus erected surrounding the planet. But leave it to the genius of Reed Richards of the Fantastic Four to figure out a loop hole, which releases the Silver Surfer from his confinement.

Once again free to roam the stars, the Silver Surfer travels back to his home planet of Zenn-La and his beloved Shalla Bal. He finds his home world caught up in the ongoing conflict between the Krees and the Skrulls. The warring races, and the political intrigue taking place behind the scenes, would provide the direction for the series. With the entire Marvel Universe at his disposal, writer Steve Englehart allows the Silver Surfer to encounter many of the cosmic beings – from Galactus and Nova to the Eternals and Mantis.

This volume also collects some assorted solo stories of the Silver Surfer that appeared in this era. Two tales written by Stan Lee, with art by John Buscema and John Byrne, start off this collection. And an unused story from Silver Surfer #1 finally sees print in 1990 in the pages of Marvel Fanfare (see Footnotes below).

What makes this Essential?: This book highlights an interesting change in the direction of the Silver Surfer character. The first Silver Surfer series from the 1960s, collected in Essential Silver Surfer Vol. 1, dealt with ethics, morality, race and other topics. The Silver Surfer was the voice of Stan Lee in the pages of the comic books, giving him a chance to wax poetic on whatever interested Lee at the time. I would contend that the Silver Surfer of this era was more of a philosopher and not a super-hero.

Now over the 1970s and early 1980s, we did see Silver Surfer used, primarily in the pages of the Defenders, but he was never the focus of that title. It’s not until the 1987 series launch, collected in this volume, where we see the Silver Surfer go back into space and become a cosmic super-hero. This Silver Surfer is more likely to dive into action versus sit on his board and think about the petals on a flower. Not that there is anything wrong with that. Bottom line, if you want an action hero, you will enjoy this volume. If you prefer the Silver Surfer seen in the first Essential volume, you may not like this edition.

Footnotes: The cover to Marvel Age #52 is included in this volume. In that issue, there was an article on the then pending release of the new Silver Surfer series, which starts in this Essential. The article is reprinted in this volume.

The Silver Surfer story from Marvel Fanfare #51 was originally intended to be the first issue of the 1987 series. Before it could be published, Marvel editorial agreed to allow the Silver Surfer to be released from his imprisonment on Earth, once again allowing him to span the galaxy. The original issue was shelved, and a new #1 was quickly put together. Not willing to let paid work go unused, Marvel later dug out the finished issue and included it in Marvel Fanfare.

If you like this volume, try: the 2014 Silver Surfer series from Dan Slott, Mike Allred, and Laura Allred. Free from Earth once again, Silver Surfer encounters an Earth woman, Dawn Greenwood, who becomes a new companion for Norrin Radd on his travels. I use the word ‘companion’ on purpose, as this title has a strong ‘Doctor Who’ feel to it, in terms of it’s timey-wimey elusiveness. This is some of Slott’s most creative writing to date, and the Allreds work feels like it is a direct descendent of Jack Kirby. The first trade paperback collection just came out in October, so rush back to your LCS to pick up a copy.

September 10, 2014 by jerrymcmullen - 3 Comments

Essential Captain America Vol. 3

First Published: December 2006

Contents: Captain America #127 (July 1970) to #133 (January 1971); Captain America and the Falcon #134 (February 1971) to #156 (December 1972)

Key Creator Credits: Stan Lee, Gene Colan, Gary Friedrich, Gerry Conway, Steve Englehart, John Romita, Sr., Sal Buscema, and others

Key First Appearances: Leila Taylor, Boss Morgan, Jack Monroe/Bucky

Story Continues From: Essential Captain America Vol. 2

Story Continues In: Essential Captain America Vol. 4

Overview: Welcome back to the continuing adventures of Captain America and the Falcon. This volume features an all-star list of comic greats, as Stan Lee and Gene Colan wrap up their long run on the book, and familiar Marvel Bullpen creators like Steve Englehart, John Romita, Sr., and Sal Buscema get their chance to take on star-spangled superhero.

Our duo continues helping out Nick Fury, Sharon Carter, and S.H.I.E.L.D. with a variety of familiar foes, such as the Red Skull, Hydra, and the Grey Gargoyle. Heroes like Spider-Man and the Avengers make cameo appearances, as New York City is the hub for all Marvel super-heroes.

Now, one of the struggles for our title character is to find something to occupy his time when he is not in costume. Sam Wilson works as a social worker in Harlem, and now has a steady girlfriend in Leila Taylor. But what can Steve Rogers do? Well, with good intentions, he joins the New York City Police Department. He works with Police Commissioner Feingold to set it up, but they agree to tell no one of Rogers’ other identity. Of course, this leads into all kinds of crazy excuses that Rogers must come up with to explain missing his shift, much to the annoyance of Rogers’ sergeant, Brian Muldoon (who bears a solid resemblance to Jack Kirby, one of Captain America’s co-creators).

The volume concludes with a face-off with the Captain America and Bucky from the 1950s. We find out that the government tried to introduce a new Captain America during the early days of the Cold War. William Burnside is an avid Captain America fan, and while researching his hero, he discovers the super soldier formula long thought lost. He undergoes plastic surgery to have his face shaped to look like Steve Rogers. Bringing in a young Jack Monroe that shares Burnside’s beliefs, the two teamed up as Captain America and Bucky. But their version of the super soldier formula causes psychotic breakdowns in the heroes, and the government is forced to put the two into suspended animation. Reanimated in the early 1970s, the 1950s Cap and Bucky come to blows with our Cap and Falcon. Our fearless heroes triumph, and the 1950s heroes are put back on ice. (In later years, Jack Monroe would return to Captain America’s side, adopting the Nomad costume identity in the 1980s. For more on Nomad, come back for Essential Captain America Vol. 4!)

What makes this Essential?: This volume really has me on the ropes. I don’t want to write a negative review about it, but I don’t know that I can write a positive review either. Given the incredible talents of the creators involved with the volume, one might expect the stories to be more epic in nature, or even more memorable. I don’t believe they were phoning it in during this era, but this is one of those books that felt like priority 1 was to just get a book out each month. This is a very good read for the Captain America fan, but I believe the casual Marvel Universe fan will find it disappointing.

Footnotes: Captain America Special #1 (1971) and #2 (1972) are reprint issues. collecting previously published stories from Tales of Suspense and Not Brand Echh. The covers for the two issues are in this volume.

Beginning with issue #134, the title of the comic changed to Captain America and the Falcon. This remained the title until issue #222, which can be found in Essential Captain America Vol. 6.

If you like this volume, try: the Captain America movies from 2011 and 2014. In all fairness, this may seem like a cheat. Maybe I am struggling to find another book to recommend based on the events of these comics. But at this point, if you are reading Volume 3, you probably have also read Volumes 1 and 2, which gives you 8 years worth of Captain America stories. So you understand who the character is and how he should be portrayed. So jump over to the movies. The 2011 Captain America: The First Avenger film portrays our hero’s origin, using the story from Captain America #255, which is viewed as the definitive Captain America origin, during the Roger Stern-John Byrne run in 1980 (see Essential Captain America Vol. 7). Jump ahead to the 2014 Captain America 2: The Winter Soldier and we see Captain America working with S.H.I.E.L.D., which we have seen a lot in these Essentials. Look at the opening to Captain America #153, as Captain America comes home and finds Nick Fury sitting in the dark. That scene was later mimicked in the movie. Chris Evans visually personifies Captain America in the flesh, even more so than Robert Downey, Jr. as Iron Man. The Captain America films have done an excellent job of aligning the movie character to that of the comic character, They are worth the re-watch to appreciate how faithful they were to the comics.